Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... reference in Western poetics because each is an integral part of an " explicit or implicit ' worldview ' . " 3 Apparently , Liu fails to understand these culture - specific ramifications and assumes that the four terms are universal ...
... reference to the tonality of poetic verbalization rather than actual sounds and notes of music . For the first time ... references to the Poetry.51 In all but two of these references , he dis- cusses the Poetry separately from music ...
... reference to poetic language concerns the use of rhyme and meter . When he talks about rhyme and meter , he is concerned solely with their contribution to that " state of enjoyment . " For him , rhyme and meter merely serve to remove ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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