Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... writing has the power of making manifest what lies hidden in nature . " If one's mind is set on the moun- tains and rivers , ” he continues , “ a zither can express his feelings . What is more , when the tip of a writing brush brings ...
... writing : the markings on the " Yellow River Di- agram ” and the “ Luo River Writing " presented to humans by the tor- toise and dragons , and the trigrams and hexagrams invented and elu- cidated by the ancient sages . The first source ...
... writing the words “ writing , ” " encasing , " and " screening " as " wriTing , " " encAsing , " and " screening , " 8 he puts their conceptual meanings sous rature ( under erasure ) . With these deliberately misplaced capitalizations ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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