Latin HymnsB.H. Sanborn, 1904 - 86 من الصفحات "This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it." -- |
من داخل الكتاب
النتائج 1-5 من 12
الصفحة
... called Psaltae or Cantores , whose duty it was to lead the singing which was often anti- phonal . What was the exact distinction between psalms and hymns and spiritual songs ( Coloss . iii 16 ) is not known ; it is , however ...
... called Psaltae or Cantores , whose duty it was to lead the singing which was often anti- phonal . What was the exact distinction between psalms and hymns and spiritual songs ( Coloss . iii 16 ) is not known ; it is , however ...
الصفحة v
... called Psaltae or Cantores , whose duty it was to lead the singing which was often anti- phonal . What was the exact distinction between psalms and hymns and spiritual songs ( Coloss . iii 16 ) is not known ; it is , however ...
... called Psaltae or Cantores , whose duty it was to lead the singing which was often anti- phonal . What was the exact distinction between psalms and hymns and spiritual songs ( Coloss . iii 16 ) is not known ; it is , however ...
الصفحة viii
... called Septenarius , from the number of its complete feet , was the foundation of stanzas of four and six verses , for the first half of the verse was detached and doubled , and likewise the second ; and these elements were combined in ...
... called Septenarius , from the number of its complete feet , was the foundation of stanzas of four and six verses , for the first half of the verse was detached and doubled , and likewise the second ; and these elements were combined in ...
الصفحة ix
... called variously prose , trope , or sequence . A trope was a general term for a versicle or strophe added to a chant ; the prose was originally an unmetrical composition , as its name implies ; and the sequence was metrical , and was ...
... called variously prose , trope , or sequence . A trope was a general term for a versicle or strophe added to a chant ; the prose was originally an unmetrical composition , as its name implies ; and the sequence was metrical , and was ...
الصفحة xii
... called " Hymns , Ancient and Modern , " and , as the hymnals of the various churches in this country were revised , the editors adopted the versions that had won acceptance in England . These translations are often the best commentary ...
... called " Hymns , Ancient and Modern , " and , as the hymnals of the various churches in this country were revised , the editors adopted the versions that had won acceptance in England . These translations are often the best commentary ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adam ADORO TE DEVOTE Alleluia perenne Ambrose ancient Apoc authorship Bapt based beata became Book books born breviaries CALIFORNIA called century Christi Christus church College Commentary by Kayser common cruce cuncta Deum Deus died dimeter catalectic Domine Easter edition eius English Episc found Gaude gloria Greek Gregory hymn iambic dimeter Ierusalem Iesu Iesum Iesus Ioann Isaias Israel known Latin hymns Laud life lucis made Matt medieval melody in Young Meth Metr Metre modern Mone musical New York omnibus order Original melody panis Paraclito Pascha Patris Ph.D Poetry Professor prose Prudentius Psalm rapid reading Ready redemptor rhyme rhyming Roman breviary saeculum Schaff Selections sequence seven great hymns sine Sion Spiritus Stabat Mater stanza Sunday THOMAS A KEMPIS Thomas Aquinas tibi translations Trinitas trochaic dimeter University used Venantius Fortunatus Veni VENI SANCTE SPIRITUS venit Venite adoremus versions Victor vitae word
مقاطع مشهورة
الصفحة 54 - O lux beatissima, Reple cordis intima Tuorum fidelium Sine tuo numine, Nihil est in homine. Nihil est innoxium, Lava quod est sordidum...
الصفحة 63 - Cuncta stricte discussurus! Tuba mirum spargens sonum Per sepulcra regionum, Coget omnes ante thronum. Mors stupebit et natura, Cum resurget creatura, Judicanti responsura.
الصفحة 64 - Ingemisco tanquam reus, culpa rubet vultus meus ; supplicanti parce, Deus. Qui Mariam absolvisti et latronem exaudisti, mihi quoque spem dedisti ; Preces meae non sunt dignae, sed tu, bonus, fac benigne, ne perenni cremer igne. Inter oves locum praesta et ab haedis me sequestra statuens in parte dextra; Confutatis maledictis, flammis acribus addictis, voca me cum benedictis.
الصفحة viii - Splendor paternae gloriae, De luce lucem proferens, Lux lucis et fons luminis, Diem dies illuminans, Verusque sol illabere, Micans nitore perpeti, Iubarque Sancti Spiritus Infunde nostris sensibus.
الصفحة 37 - Hora novissima, tempora pessima sunt, vigilemus, Ecce minaciter imminet arbiter ille supremus Imminet, imminet ut mala terminet, aequa coronet, Recta remuneret, anxia liberet, aethera donet, Auferat aspera duraque pondera mentis onustae, Sobria muniat, improba puniat, utraque juste.
الصفحة 19 - Gloria, laus, et honor, tibi sit Rex Christe Redemptor : Cui puerile decus prompsit Hosanna pium.
الصفحة 29 - ... flos perpetuus rosarum ver agit perpetuum; candent lilia, rubescit crocus, sudat balsamum. virent prata, vernant sata, rivi mellis influunt; pigmentorum spirat odor, liquor et aromatum; pendent poma floridorum non lapsura nemorum. non alternat luna vices, sol vel cursus siderum; agnus est felicis urbis lumen inocciduum; nox et tempus desunt ei; diem fert continuum.
الصفحة 77 - The several volumes are prepared by special editors, who aim to revise the text carefully and to edit it in the most serviceable manner. Where there are German editions of unusual merit, representing years of special study under the most favorable circumstances, these are used, with the consent of the foreign editor, as a basis for tha American edition.
الصفحة 78 - PLAUTUS, Menaechmi, based upon the edition of Brix. By HAROLD N. FOWLER, Ph.D., Professor in the Western Reserve University. Ready.