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he had so fully refuted, that it ought to have revived no more! he begins with thanking his reviler for the aspersion: "It has given me," he says, "an apt occasion "to acknowledge publicly, with all grateful "mind, that more than ordinary favor and respect, which I found, above any of my "equals, at the hand of those courteous and "learned men, the Fellows of that College, "wherein I spent some years; who, at my

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parting, after I had taken two degrees, as "the manner is, signified many ways how "much better it would content them that "I would stay, as by many letters, full of "kindness and loving respect, both before "that time and long after, I was assured of "their singular affection towards me.' Prose Works, vol. 1, p. 115.

"

The Latin poems of Milton are yet entitled to more of our attention because they exhibit lively proofs, that he possessed both tenderness and enthusiasm, those primary constituents of a poet, at an early period of life, and in the highest degree: they have additional value, from making us acquainted

with several interesting particulars of his youth and many of his opinions, which must have had considerable influence on his moral character.

His sixth Elegy, addressed to his bosom friend, Charles Diodati, seems to be founded on the idea, which he may be said to have verified in his own conduct, that strict habits of temperance and virtue are highly conducive to the perfection of great poetical powers. To poets of a lighter class he recommends, with graceful pleasantry, much convivial enjoyment; but for those, whọ aspire to epic renown, he prescribes even the simple regimen of Pythagoras.

Ille quidem parce, Samii pro more magistri,
Vivat, et innocuos præbeat herba cibos;
Stet prope fagineo pellucida lympha catillo,
Sobriaque e puro pocula fonte bibat.
Additur huic scelerisque vacans, et casta juventus,
Et rigidi mores, et sine labe manus.
Qualis veste nitens sacra, et lustralibus undis,
Surgis ad infensos, augur, iture Deos,

Simply let these, like him of Samos, live;

Let herbs to them a bloodless banquet give;

In beechen goblets let their beverage shine;
Cool from the crystal spring their sober wine:
Their youth should pass in innocence, secure
From stain licentious, and in manners pure;
Pure as Heaven's minister, array'd in white,
Propitiating the gods with lustral rite.

In his Elegy on the Spring, our poet expresses the fervent emotions of his fancy in terms, that may be almost regarded as a prophetic description of his sublimest work

Jam mihi mens liquidi raptatur in ardua cæli,
Perque vagas nubes corpore liber eo;
Intuiturque animus toto quid agatur Olympo,
Nec fugiunt oculos Tartara cæca meos.

I mount, and, undepress'd by cumbrous clay,
Thro' cloudy regions win my easy way;
My spirit searches all the realms of light,
And no Tartarean depths elude my sight.

With these verses it may be pleasing to compare a similar passage in his English vacation exercise, where, addressing his native language, as applied to an inconsiderable purpose, he adds,

Yet I had rather, if I were to chuse,

Thy service in some graver subject use;

Such as may make thee search thy coffers round,
Before thou clothe my fancy in fit sound;
Such, where the deep transported mind may soar
Above the wheeling poles, and at Heav'n's door
Look in, and see each blissful deity,

How he before the thunderous throne doth lie.

"It is worth the curious reader's attention to observe how much the Paradise Lost corresponds with this prophetic wish," says Mr. Thyer, one of the most intelligent and liberal of English commentators.

The young poet, who thus expressed his ambition, was then in his nineteenth year. At the age of twenty-one (the period of his life when that pleasing portrait of him was executed, which the Speaker Onslow obtained from the executors of his widow) he composed his Ode on the Nativity; a poem that surpasses in fancy and devotional fire a composition on the same. subject by that celebrated and devout poet of Spain, Lopez de Vega.

The most trifling performances of Milton

are so singular, that we may regret even the loss of the verses alluded to by Aubrey, as the offspring of his childhood. Perhaps no juvenile author ever displayed, with such early force,

"The spirit of a youth

Who means to be of note."

His mind, even in his boyish days, seems to have glowed, like the fancy and furnace of an alchymist, with incessant hope and preparation for astonishing productions.

Such austerity and moroseness have been falsely attributed to Milton, that a reader, acquainted with him only as he appears in the page of Johnson, must suppose him little formed for love; but his poetry in general, and especially the compositions we are now speaking of, may convince us, that he felt, with the most exquisite sensibility, the magic of beauty, and all the force of female attraction. His seventh Elegy exhibits a lively picture of his first passion; he represents himself as captivated by an unknown fair, who, though he saw

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