Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة
... Assyria , are released by death from the miseries of unrequited love ( Ix . i . 7 , iii . 128 ) , and the ideal couple of Spitridates and Araminta , failing to find happiness , are united only in death ( x . ii . 165 , iii . 206 ) . The ...
... Assyria , are released by death from the miseries of unrequited love ( Ix . i . 7 , iii . 128 ) , and the ideal couple of Spitridates and Araminta , failing to find happiness , are united only in death ( x . ii . 165 , iii . 206 ) . The ...
الصفحة 126
... Assyria in Le Grand Cyrus ( IX . i . 6—7 ) . But , whereas Mandana treats Cyrus ' rival only with a decorous compassion , Indamora permits herself a quite surprising warmth : Morat . In sign that I die yours , reward my love , And seal ...
... Assyria in Le Grand Cyrus ( IX . i . 6—7 ) . But , whereas Mandana treats Cyrus ' rival only with a decorous compassion , Indamora permits herself a quite surprising warmth : Morat . In sign that I die yours , reward my love , And seal ...
الصفحة 180
... Assyria of developments in the search for Mandana , though he fears that to do so is to harm his interests ( e.g. 11. îì . 97—8 ) . In Orrery's Tryphon ( 1668 ) Demetrius vows to aid Tryphon in love , only to discover that Tryphon loves ...
... Assyria of developments in the search for Mandana , though he fears that to do so is to harm his interests ( e.g. 11. îì . 97—8 ) . In Orrery's Tryphon ( 1668 ) Demetrius vows to aid Tryphon in love , only to discover that Tryphon loves ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas