Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة 66
... Catharine's Lucretian source , 15 and we may detect something similar in her version of it , for the pauper's " silent joy , that he's not there " is conspicuously untinged with compassion for those who are in the sinking vessel ...
... Catharine's Lucretian source , 15 and we may detect something similar in her version of it , for the pauper's " silent joy , that he's not there " is conspicuously untinged with compassion for those who are in the sinking vessel ...
الصفحة 68
... Catharine has disposed of the dilemma presented by Berenice , she is faced with a still more exacting one , posed this time by her mother , Felicia . Once again , Dryden introduces the dilemma by echoing ( now more closely ) Catharine's ...
... Catharine has disposed of the dilemma presented by Berenice , she is faced with a still more exacting one , posed this time by her mother , Felicia . Once again , Dryden introduces the dilemma by echoing ( now more closely ) Catharine's ...
الصفحة 72
... Catharine's obsessive spiritual ambition and is prepared to relinquish her martyr's crown for the sake of a greater good . Unlike the compassionate Dorothea of the Dekker - Massinger Virgin Martyr , and unlike even Corneille's Polyeucte ...
... Catharine's obsessive spiritual ambition and is prepared to relinquish her martyr's crown for the sake of a greater good . Unlike the compassionate Dorothea of the Dekker - Massinger Virgin Martyr , and unlike even Corneille's Polyeucte ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas