Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة
... action in the play . ( p . 165 ) Dryden's citation of Cethegus shows how little he equated literary precedent with ... actions , as Dryden implicitly concedes in his next paragraph . The remainder of the essay is intended to vindicate ...
... action in the play . ( p . 165 ) Dryden's citation of Cethegus shows how little he equated literary precedent with ... actions , as Dryden implicitly concedes in his next paragraph . The remainder of the essay is intended to vindicate ...
الصفحة 38
... action . The brilliantly developed symbolism of Montezuma's birthday rite , for example , would not be out of place in All for Love ( which , indeed , also opens with fatally inapposite birthday celebrations ) . The Indian Emperour also ...
... action . The brilliantly developed symbolism of Montezuma's birthday rite , for example , would not be out of place in All for Love ( which , indeed , also opens with fatally inapposite birthday celebrations ) . The Indian Emperour also ...
الصفحة 81
... action in the play - his unquestioning assistance of the Abencerrages against the numerically superior Zegrys . His automatic , attractive support for the underdog draws him , luckily , to the better side and invites our approval . If ...
... action in the play - his unquestioning assistance of the Abencerrages against the numerically superior Zegrys . His automatic , attractive support for the underdog draws him , luckily , to the better side and invites our approval . If ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas