Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة 60
Derek Hughes. patterning and stereotyping break up and vanish as human fallibility asserts itself , claiming even the seeming models of piety and duty . Here , however , the false geometry is excessively extensive and emphatic , and is ...
Derek Hughes. patterning and stereotyping break up and vanish as human fallibility asserts itself , claiming even the seeming models of piety and duty . Here , however , the false geometry is excessively extensive and emphatic , and is ...
الصفحة 65
... asserts the freedom of the will and declares that it is properly employed in the regulation of desire : But you may make your self a God below : For Kings who rule their own desires are so . . . . Your mind should first the remedy begin ...
... asserts the freedom of the will and declares that it is properly employed in the regulation of desire : But you may make your self a God below : For Kings who rule their own desires are so . . . . Your mind should first the remedy begin ...
الصفحة 80
... asserts that the play's satire is indiscriminate and disunified ( Dryden's Major Plays , pp . 79-80 ) , Barbeau ( evidently without censure ) that the " surface " of heroic drama " is often a disguise rather than an indication of what ...
... asserts that the play's satire is indiscriminate and disunified ( Dryden's Major Plays , pp . 79-80 ) , Barbeau ( evidently without censure ) that the " surface " of heroic drama " is often a disguise rather than an indication of what ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas