Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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النتائج 1-3 من 33
الصفحة 50
... attempt to dissuade him from the war against Montezuma . Cydaria begins by imaging him as an agent of malign natural cycle , as a force of night prematurely encroaching on the day , and she continues with a couplet that echoes her ...
... attempt to dissuade him from the war against Montezuma . Cydaria begins by imaging him as an agent of malign natural cycle , as a force of night prematurely encroaching on the day , and she continues with a couplet that echoes her ...
الصفحة 100
... attempt is aptly followed by Lyndaraxa's dramaturgic manipulation of Abdelmelech , since both successively develop the interchange of roles . enacted in her temptation of Almanzor , where the love of hero for heroine had been ...
... attempt is aptly followed by Lyndaraxa's dramaturgic manipulation of Abdelmelech , since both successively develop the interchange of roles . enacted in her temptation of Almanzor , where the love of hero for heroine had been ...
الصفحة 120
Derek Hughes. become an attempt to reverse time and re - enact her own lost youth . In the empty , theatrical ... attempts to take over the role of a lover ( Aureng - Zebe ) who seems to embody his own young self . Both he and Nourmahal ...
Derek Hughes. become an attempt to reverse time and re - enact her own lost youth . In the empty , theatrical ... attempts to take over the role of a lover ( Aureng - Zebe ) who seems to embody his own young self . Both he and Nourmahal ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas