Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة
... becomes deludedly enslaved to the pagan enchantress Armida ( as Almanzor , I shall argue , becomes psychologically enslaved to Lyndaraxa ) ; in a divinely sent vision , Goffredo is told that Rinaldo has been led into " errore " by ...
... becomes deludedly enslaved to the pagan enchantress Armida ( as Almanzor , I shall argue , becomes psychologically enslaved to Lyndaraxa ) ; in a divinely sent vision , Goffredo is told that Rinaldo has been led into " errore " by ...
الصفحة 51
... becomes a mere external , beneath consideration : " Honour be gone , what art thou but a breath ? ” ( II . ii . 67 ) , he exclaims , resolving to abandon the campaign . He is too late , however , for battle has already been joined , and ...
... becomes a mere external , beneath consideration : " Honour be gone , what art thou but a breath ? ” ( II . ii . 67 ) , he exclaims , resolving to abandon the campaign . He is too late , however , for battle has already been joined , and ...
الصفحة 100
... becomes the villainess and the villainess the heroine ; to Abdelmelech is attributed the lechery of Zulema , to Zulema the loyalty of Abdelmelech . Furthermore , her fabricated translation of identities parallels and elucidates the ...
... becomes the villainess and the villainess the heroine ; to Abdelmelech is attributed the lechery of Zulema , to Zulema the loyalty of Abdelmelech . Furthermore , her fabricated translation of identities parallels and elucidates the ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas