Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة
... believe that Dryden's heroic plays have been unfortunate in two ways . No one has done anything like justice to their minutely integrated cohesion and sheer artistic intelligence . And , on the whole , their significance has been badly ...
... believe that Dryden's heroic plays have been unfortunate in two ways . No one has done anything like justice to their minutely integrated cohesion and sheer artistic intelligence . And , on the whole , their significance has been badly ...
الصفحة 128
... believe her if she will deceitfully profess her innocence : Speak ; answer . I would fain yet think you true : Lie ; and I'll not believe my self , but you . Tell me you love ; I'll pardon the deceit , And , to be fool'd , my self ...
... believe her if she will deceitfully profess her innocence : Speak ; answer . I would fain yet think you true : Lie ; and I'll not believe my self , but you . Tell me you love ; I'll pardon the deceit , And , to be fool'd , my self ...
الصفحة 129
... believe Indamora's lies , she explodes in rage and indignation ; her reasoning and explanation have merely provided him with fresh fuel for suspicion , but now the mere fact of her rage effects the transformation that all her ...
... believe Indamora's lies , she explodes in rage and indignation ; her reasoning and explanation have merely provided him with fresh fuel for suspicion , but now the mere fact of her rage effects the transformation that all her ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas