Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 27
الصفحة 71
... career of sanctity becomes at crucial points ( again anticipating the careers of Nourmahal and Aureng - Zebe ) a career of theatrical illusion : the world which her imagination forms is not the world in which she lives but one in which ...
... career of sanctity becomes at crucial points ( again anticipating the careers of Nourmahal and Aureng - Zebe ) a career of theatrical illusion : the world which her imagination forms is not the world in which she lives but one in which ...
الصفحة 80
... careers are enmeshed in Lyndaraxa's final web of illusion ; and the movement of the contrapuntal design complements the ... career by misinterpreting the role of his instructress , seeing the frail and deluded Almahide as an oracular ...
... careers are enmeshed in Lyndaraxa's final web of illusion ; and the movement of the contrapuntal design complements the ... career by misinterpreting the role of his instructress , seeing the frail and deluded Almahide as an oracular ...
الصفحة 99
... career Lyndaraxa appears openly as the puppet - mistress , standing over the action , controlling the minds and movements of her creatures , inspiring the theatrical pageant of death in the Vivarambla ; significantly , the tournament ...
... career Lyndaraxa appears openly as the puppet - mistress , standing over the action , controlling the minds and movements of her creatures , inspiring the theatrical pageant of death in the Vivarambla ; significantly , the tournament ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas