Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة 46
... contrast , David's reassertion of the ordering Logos brings " a Series of new time ” , of “ mighty Years in long Procession ( 1028 , 1029 ; italics added ) . In The Hind and the Panther , similarly the repetitive " rise , . . . progress ...
... contrast , David's reassertion of the ordering Logos brings " a Series of new time ” , of “ mighty Years in long Procession ( 1028 , 1029 ; italics added ) . In The Hind and the Panther , similarly the repetitive " rise , . . . progress ...
الصفحة 179
... contrast , fights Montezuma after their friendship has been cemented . 18. In Carlell's Osmond the Great Turk , by contrast , Osmond vows to resign Despina to Melcoshus even in Elysium ( v . pp . 57–8 ) . CHAPTER 3 1. California Dryden ...
... contrast , fights Montezuma after their friendship has been cemented . 18. In Carlell's Osmond the Great Turk , by contrast , Osmond vows to resign Despina to Melcoshus even in Elysium ( v . pp . 57–8 ) . CHAPTER 3 1. California Dryden ...
الصفحة 184
... contrast of marine enterprise expresses a contrast that could easily have been in Dryden's mind when he created the character of St Catharine : whereas Catharine's image recreates the detachment of the Lucretian spectator when faced ...
... contrast of marine enterprise expresses a contrast that could easily have been in Dryden's mind when he created the character of St Catharine : whereas Catharine's image recreates the detachment of the Lucretian spectator when faced ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas