Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة iii
... desire , Where to enjoy is only to admire : There we'l meet friends , when this short storm is past . ( v . i . 162-7 ) 16 Whereas Zempoalla seeks unbounded fulfilment of passion , Acacis hopes for the absence of desire ; his ambitions ...
... desire , Where to enjoy is only to admire : There we'l meet friends , when this short storm is past . ( v . i . 162-7 ) 16 Whereas Zempoalla seeks unbounded fulfilment of passion , Acacis hopes for the absence of desire ; his ambitions ...
الصفحة 81
... desire within the order imposed by society , preferring instead the perilous freedoms of the state of nature . Lyndaraxa , haunted by the ambition " to live without controul ” , 1 foments rebellion and finally betrays her city ; Abdalla ...
... desire within the order imposed by society , preferring instead the perilous freedoms of the state of nature . Lyndaraxa , haunted by the ambition " to live without controul ” , 1 foments rebellion and finally betrays her city ; Abdalla ...
الصفحة 110
... desire ; Platonism is a flimsy shield , and death provides the only barrier to lust : You've mov'd my heart , so much , I can deny No more ; but know , Almanzor , I can dye , Thus far , my vertue yields ; if I have shown More Love ...
... desire ; Platonism is a flimsy shield , and death provides the only barrier to lust : You've mov'd my heart , so much , I can deny No more ; but know , Almanzor , I can dye , Thus far , my vertue yields ; if I have shown More Love ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas