Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة 37
... fall victim to her spirit , jealously desiring each other's deaths . Acacis , the apparent embodiment of Reason , also falls victim to his mother's spirit , anticipating her by following the path of passion to death . Zempoalla's ...
... fall victim to her spirit , jealously desiring each other's deaths . Acacis , the apparent embodiment of Reason , also falls victim to his mother's spirit , anticipating her by following the path of passion to death . Zempoalla's ...
الصفحة 53
... falls in love with the man she proposes to kill . Here , once more , Dryden is using a standard romance situation : in Cleopatra , for example , Artaxus falls in love with the heroine as he is preparing to kill her ( v . ii " The Indian ...
... falls in love with the man she proposes to kill . Here , once more , Dryden is using a standard romance situation : in Cleopatra , for example , Artaxus falls in love with the heroine as he is preparing to kill her ( v . ii " The Indian ...
الصفحة 157
... falls in love with Elisa , and eventually claims , like Dryden's Hobbist monarchs , that he is not bound by his promise : " It was only to you . . . that I passed my promise , and the knowledge of your self and me , will not let you be ...
... falls in love with Elisa , and eventually claims , like Dryden's Hobbist monarchs , that he is not bound by his promise : " It was only to you . . . that I passed my promise , and the knowledge of your self and me , will not let you be ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas