Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة
... hero of Georges de Scudéry's Almahide , but also Tasso's Rinaldo . Almahide's ancestry is also divided , since she is based on her Scudéry namesake , on La Calprenède's Parisatis , and on the Queen in Pérez de Hita's Guerras Civiles de ...
... hero of Georges de Scudéry's Almahide , but also Tasso's Rinaldo . Almahide's ancestry is also divided , since she is based on her Scudéry namesake , on La Calprenède's Parisatis , and on the Queen in Pérez de Hita's Guerras Civiles de ...
الصفحة 85
... Hero - like , with Torches by my side , ( Farr be the Omen , though , ) my Love I'le guide . No ; like his better Fortune I'le appear : With open Arms , loose Vayl , and flowing Hair , Just flying forward from my rowling Sphere . My ...
... Hero - like , with Torches by my side , ( Farr be the Omen , though , ) my Love I'le guide . No ; like his better Fortune I'le appear : With open Arms , loose Vayl , and flowing Hair , Just flying forward from my rowling Sphere . My ...
الصفحة 141
... hero's self - interested achievements but of the Emperor's self - sacrificing redress of the hero's blunders . To the end , Aureng- Zebe's idealistic designs go astray and have to be rectified by those with more knowledge of the world ...
... hero's self - interested achievements but of the Emperor's self - sacrificing redress of the hero's blunders . To the end , Aureng- Zebe's idealistic designs go astray and have to be rectified by those with more knowledge of the world ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas