Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 25
الصفحة 40
... immediately before the first battle , when Cydaria depicts Cortez as the agent of the night that is to engulf Mexico : Those closing Skies might still continue bright . But who can help it if you'l make it night ? ( 11. ii . 14—15 ) ...
... immediately before the first battle , when Cydaria depicts Cortez as the agent of the night that is to engulf Mexico : Those closing Skies might still continue bright . But who can help it if you'l make it night ? ( 11. ii . 14—15 ) ...
الصفحة 84
... immediately vents his own keen frustration at the same lull : We have not fought enough ; they fly too soon : And I am griev'd the noble sport is done . ( 1. III . p . 52 ) Perverse bloodlust and heroic ardour meet and coalesce . In ...
... immediately vents his own keen frustration at the same lull : We have not fought enough ; they fly too soon : And I am griev'd the noble sport is done . ( 1. III . p . 52 ) Perverse bloodlust and heroic ardour meet and coalesce . In ...
الصفحة 88
... immediately after Almanzor's reunion with Boabdelin , Lyndaraxa enters and echoes both her own earlier self - dramatisation and the hero's recent mimicry of it : " I will be constant yet , if fortune can , " she declares ( 1. IV . p ...
... immediately after Almanzor's reunion with Boabdelin , Lyndaraxa enters and echoes both her own earlier self - dramatisation and the hero's recent mimicry of it : " I will be constant yet , if fortune can , " she declares ( 1. IV . p ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas