Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة i
... parallel to Orazia in his seemingly stereotyped virtue , is parallel also in his lapses from excellence , similarly yielding to the fatal demands of passion : at first he seems to be a figure of Caroline perfection , an ideal friend and ...
... parallel to Orazia in his seemingly stereotyped virtue , is parallel also in his lapses from excellence , similarly yielding to the fatal demands of passion : at first he seems to be a figure of Caroline perfection , an ideal friend and ...
الصفحة 82
... parallels between hero and villains provide clear textual evidence , hitherto neglected , of Dryden's sustained ... parallel episodes , forming the centre of the A - B - A structure , is a single , brief event — Almanzor's impulsive ...
... parallels between hero and villains provide clear textual evidence , hitherto neglected , of Dryden's sustained ... parallel episodes , forming the centre of the A - B - A structure , is a single , brief event — Almanzor's impulsive ...
الصفحة 107
... parallel in condition as well as imagery , for both vacillate uncertainly between a contracted partner and a lover , Lyndaraxa from a cynical sense of self - interest , Almahide from a tortured conflict between obligation and desire ...
... parallel in condition as well as imagery , for both vacillate uncertainly between a contracted partner and a lover , Lyndaraxa from a cynical sense of self - interest , Almahide from a tortured conflict between obligation and desire ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas