Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة
... perfect virtue " ( pp . 98-9 ) . But Nestor , perfect in moral habit , is not perfect in age , and Tasso now blends Aristotle and Horace in the proposition that a poet should attribute to his characters qualities appropriate to their ...
... perfect virtue " ( pp . 98-9 ) . But Nestor , perfect in moral habit , is not perfect in age , and Tasso now blends Aristotle and Horace in the proposition that a poet should attribute to his characters qualities appropriate to their ...
الصفحة 76
... perfect goodness or an overzealous sense of principle ? With her next speech , however , Berenice begins to provide us with clues , reviving the doubts we had felt about her in Act III . Here , once more , she describes and ...
... perfect goodness or an overzealous sense of principle ? With her next speech , however , Berenice begins to provide us with clues , reviving the doubts we had felt about her in Act III . Here , once more , she describes and ...
الصفحة 181
... perfect Christian ” ( p . 180 ) . Similarly , although he recognises Berenice's inability " to dissociate the life of the flesh from the life of the spirit " ( p . 187 ) , he considers that her views on Providence are vindicated and ...
... perfect Christian ” ( p . 180 ) . Similarly , although he recognises Berenice's inability " to dissociate the life of the flesh from the life of the spirit " ( p . 187 ) , he considers that her views on Providence are vindicated and ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas