Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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... prisoners are more efficiently protected by Acacis ' social authority than by Montezuma's individualistic power ( 11. i . 87—9 ) ; soon , nevertheless , they are seized ; and soon Montezuma himself is imprisoned and in danger of death ...
... prisoners are more efficiently protected by Acacis ' social authority than by Montezuma's individualistic power ( 11. i . 87—9 ) ; soon , nevertheless , they are seized ; and soon Montezuma himself is imprisoned and in danger of death ...
الصفحة 156
... prisoners captured by his own hand ( p . 482 ) . Britomarus ' response is that of Dryden's heroes : asserting that he is no subject of Artaxus and therefore owes him no allegiance , he claims that the right of capture makes the prisoners ...
... prisoners captured by his own hand ( p . 482 ) . Britomarus ' response is that of Dryden's heroes : asserting that he is no subject of Artaxus and therefore owes him no allegiance , he claims that the right of capture makes the prisoners ...
الصفحة 160
... prisoners he has taken and disguising himself so as to avoid favoured treatment ( p . 91 ) . The King is ultimately taken prisoner ( II . i . 15 ) , but despite their rivalry in love Cyrus secures for him peace and liberty on ...
... prisoners he has taken and disguising himself so as to avoid favoured treatment ( p . 91 ) . The King is ultimately taken prisoner ( II . i . 15 ) , but despite their rivalry in love Cyrus secures for him peace and liberty on ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas