Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة 82
... reason , formulating the first of many assaults on its authority and bolstering his attack by recourse to transparent sophistry : " Reason's a staff for age , " he urges , " But Youth is strong enough to walk alone " ; moreover , since ...
... reason , formulating the first of many assaults on its authority and bolstering his attack by recourse to transparent sophistry : " Reason's a staff for age , " he urges , " But Youth is strong enough to walk alone " ; moreover , since ...
الصفحة 98
... reason and imitating its libertine scorn for the restraints that reason and virtue impose on desire : brushing aside Abdalla's protest that “ Reason was giv'n to curb our headstrong will " , Zulema had derided virtue's “ lean holy face ...
... reason and imitating its libertine scorn for the restraints that reason and virtue impose on desire : brushing aside Abdalla's protest that “ Reason was giv'n to curb our headstrong will " , Zulema had derided virtue's “ lean holy face ...
الصفحة 102
... reason ; Zulema's villainy consists largely in feeding the fires of unreason ; and Almanzor persistently flouts reason in terms indistinguishable from those of the dupe and the villain . If we are to praise Almanzor , we must praise ...
... reason ; Zulema's villainy consists largely in feeding the fires of unreason ; and Almanzor persistently flouts reason in terms indistinguishable from those of the dupe and the villain . If we are to praise Almanzor , we must praise ...
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عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas