Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 47
الصفحة
... revealed in their self- analysis and self - justification . Nevertheless , the case has been overstated and wrongly ... reveal unexpected complexities and take the characters in unforeseen directions . Critics have seen only the initial ...
... revealed in their self- analysis and self - justification . Nevertheless , the case has been overstated and wrongly ... reveal unexpected complexities and take the characters in unforeseen directions . Critics have seen only the initial ...
الصفحة 122
... reveals that the destructive civil war has been provoked by " curs'd Cabals of Women " ( 1. 19 ) . These two passages set the scene for what is to come . The rivers ' bloody embraces are echoed in Nourmahal's desire to stifle Aureng ...
... reveals that the destructive civil war has been provoked by " curs'd Cabals of Women " ( 1. 19 ) . These two passages set the scene for what is to come . The rivers ' bloody embraces are echoed in Nourmahal's desire to stifle Aureng ...
الصفحة 126
... reveals a clear disparity between heroic façade and human nature : as Morat departs to order Aureng - Zebe's death ... revealing light on the complex frailties of her character - frailties that she must disguise and suppress when the ...
... reveals a clear disparity between heroic façade and human nature : as Morat departs to order Aureng - Zebe's death ... revealing light on the complex frailties of her character - frailties that she must disguise and suppress when the ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas