Dryden's Heroic PlaysMacmillan, 1981 - 195 من الصفحات |
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الصفحة 62
... true heir , and is to be obeyed by them as their Father . This is what Torrismond means when he says : Kings Titles commonly begin by Force , Which Time wears off and mellows into Right : So Power , which in one Age is Tyranny , Is ripn ...
... true heir , and is to be obeyed by them as their Father . This is what Torrismond means when he says : Kings Titles commonly begin by Force , Which Time wears off and mellows into Right : So Power , which in one Age is Tyranny , Is ripn ...
الصفحة 130
... true ones . Here , once more , Indamora browbeats Aureng - Zebe into docility with a speech that is less than veracious : that she promised not the least return of love is more true in letter than in spirit , since she did " flatter ...
... true ones . Here , once more , Indamora browbeats Aureng - Zebe into docility with a speech that is less than veracious : that she promised not the least return of love is more true in letter than in spirit , since she did " flatter ...
الصفحة 157
... true , I possesse nothing that is not below your merit , but I pretend to go as far in requital , as the dearest and ... true identity is revealed , and he is shown to be of blood even more illustrious than that of kings ; for his true ...
... true , I possesse nothing that is not below your merit , but I pretend to go as far in requital , as the dearest and ... true identity is revealed , and he is shown to be of blood even more illustrious than that of kings ; for his true ...
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas