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And ev'n this day in more delight abound, Than, since I was an egg, I ever found.

The time shall come when Chanticleer shall wish His words unsaid, and hate his boasted bliss: The crested bird shall by experience know Jove made not him his master-piece below, And learn the latter end of joy is wo. The vessel of his bliss to dregs is run,

And Heaven will have him taste his other tun.
Ye wise, draw near, and hearken to my tale,
Which proves, that oft the proud by flattery fall:
The legend is as true, I undertake,

As Tristram is, and Launcelot of the Lake;
Which all our ladies in such reverence hold,
As if in book of martyrs it were told.
A fox full fraught with seeming sanctity,
That fear'd an oath, but, like the devil, would lie;
Who look'd like Lent, and had the holy leer,
And durst not sin before he said his prayer;
This pious cheat, that never suck'd the blood,
Nor chew'd the flesh of lambs, but when he could,
Had pass'd three summers in the neighbouring
wood:

And musing long whom next to circumvent,

On Chanticleer his wicked fancy bent;

By stratagem to gratify his taste.

And in his high imagination cast,

The plot contriv'd, before the break of day

And in my cottage should be proud to see
The worthy heir of my friend's family.
But since I speak of singing, let me say,
As with an upright heart I safely may,
That, save yourself, there breathes not on the ground
One like your father for a silver sound.
So sweetly would he wake the winter day,
That matrons to the church mistook their way,
And thought they heard the merry organ play.
And he, to raise his voice with artful care,
(What will not beaux attempt to please the fair!)
On tiptoe stood to sing with greater strength,
And stretch'd his comely neck at all the length:
And while he strain'd his voice to pierce the skies,
As saints in raptures use, would shut his eyes,
That the sound striving through the narrow throat,
His winking might avail to mend the note.
By this, in song, he never had his peer,
From sweet Cecilia down to Chanticleer;
Not Maro's muse, who sung the mighty man,
Nor Pindar's heavenly lyre, nor Horace when a swan.
Your ancestors proceed from race divine:
From Brennus and Belinus is your line;
Who gave to sovereign Rome such loud alarms,
That ev'n the priests were not excus'd from arms.
Besides, a famous monk of modern times
Has left of cocks recorded in his rhymes,
That of a parish priest the son and heir

Saint Reynard through the hedge had made his way: (When sons of priests were from the proverb clear)

The pale was next, but proudly with a bound

He leapt the fence of the forbidden ground:
Yet, fearing to be seen, within a bed

Of coleworts he conceal'd his wily head;

Then skulk'd till afternoon, and watch'd his time
(As murderers use) to perpetrate his crime.

Now to continue what my tale begun :
Lay Madam Partlet basking in the sun,
Breast-high in sand: her sisters, in a row,
Enjoy'd the beams above, the warmth below;
The cock, that of his flesh was ever free,
Sung merrier than the mermaid in the sea:
And so befell, that as he cast his eye
Among the coleworts on a butterfly,
He saw false Reynard where he lay full low:
I need not swear he had no list to crow:
But cried, cock, cock, and gave a sudden start,
As sore dismay'd and frighted at his heart;
For birds and beasts, inform'd by nature, know
Kinds opposite to theirs, and fly their foe;
So Chanticleer, who never saw a fox,
Yet shunn'd him as a sailor shuns the rocks.
But the false loon, who could not work his will
By open force, employ'd his flattering skill:
I hope, my lord, said he, I not offend;
Are you afraid of me that am your friend?
I were a beast indeed to do you wrong,

I, who have lov'd and honour'd you so long:
Stay, gentle sir, nor take a false alarm,
For on my soul I never meant you harm.
I come to spy, nor as a traitor press,
To learn the secrets of your soft recess :
Far be from Reynard so profane a thought,
But by the sweetness of your voice was brought:
For, as I bid my beads, by chance I heard
The song as of an angel in the yard;

A song that would have charm'd th' infernal gods,
And banish'd horror from the dark abodes;
Had Orpheus sung it in the nether sphere,
So much the hymn had pleas'd the tyrant's ear,
The wife had been detain'd, to keep the husband there.
My lord, your sire familiarly I knew,
A peer deserving such a son as you:
He, with your lady mother (whom Heaven rest)
Has often grac'd my house, and been my guest:
To view his living features does me good;
For I am your poor neighbour in the wood;

Affronted once a cock of noble kind,

And either lam'd his legs, or struck him blind;
For which the clerk, his father, was disgrac'd,
And in his benefice another plac'd.

Now sing, my lord, if not for love of me,
Yet for the sake of sweet Saint Charity;
Make hills and dales, and earth and heaven rejoice,
And emulate your father's angel voice.
The cock was pleas'd to hear him speak so fair,
And proud, beside, as solar people are;
Nor could the treason from the truth descry,
So was he ravish'd with this flattery:
So much the more, as from a little elf,
He had a high opinion of himself;
Though sickly, slender, and not large of limb,
Concluding all the world was made for him.
Ye princes rais'd by poets to the gods,
And Alexander'd up in lying odes,
Believe not every flattering knave's report,
There's many a Reynard lurking in the court;
And he shall be receiv'd with more regard,
And listened to, than modest truth is heard.
This Chanticleer, of whom the story sings,
Stood high upon his toes, and clapp'd his wings;
Then stretch'd his neck, and wink'd with both his eyes,
Ambitious, as he sought th' Olympic prize.
But while he pain'd himself to raise his note,
False Reynard rush'd, and caught him by the throat.
Then on his back he laid the precious load,
And sought his wonted shelter of the wood;
Swiftly he made his way, the mischief done,
Of all unheeded, and pursued by none.

Not louder cries, when Ilium was in flames,
Were sent to heaven by woful Trojan dames,
When Pyrrhus toss'd on high his burnish'd blade,
And offer'd Priam to his father's shade,
Than for the cock the widow'd poultry made.
Fair Partlet first, when he was borne from sight,
With sovereign shrieks bewail'd her captive knight:
Far louder than the Carthaginian wife,
When Asdrubal, her husband, lost his life,
When she beheld the smouldering flames ascend,
And all the Punic glories at an end:
Willing into the fires she plung'd her head,
With greater ease than others seek their bed.
Not more aghast the matrons of renown,
When tyrant Nero burnt th' imperial town,

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Shriek'd for the downfall in a doleful cry,
For which their guiltless lords were doom'd to die.
Now to my story I return again :

The trembling widow, and her daughters twain,
This woful cackling cry with horror heard,
Of those distracted damsels in the yard;
And starting up, beheld the heavy sight,
How Reynard to the forest took his flight;
And, cross his back, as in triumphant scorn,
The hope and pillar of the house was borne.
The fox, the wicked fox, was all the cry;
Out from his house ran every neighbour nigh;
The vicar first, and after him the crew
With forks and staves, the felon to pursue.
Ran Coll our dog, and Talbot with the band,
And Malkin with her distaff in her hand;
Ran cow and calf, and family of hogs,
In panic horror of pursuing dogs;
With many a deadly grunt and doleful squeak,
Poor swine, as if their pretty hearts would break.
The shouts of men, the women in dismay,
With shrieks augment the horror of the day.
The ducks, that heard the proclamation cried,
And fear'd a persecution might betide,
Full twenty mile from town their voyage take,
Obscure in rushes of the liquid lake;

The geese fly o'er the barn; the bees in arms,
Drive headlong from their waxen cells in swarms.
Jack Straw at London-stone, with all his rout,
Struck not the city with so loud a shout;
Not when with English hate they did pursue
A Frenchman, or an unbelieving Jew:
Not when the welkin rung with one and all,
And echoes bounded back from Fox's hall,
Earth seem'd to sink beneath, and heaven above to fall.
With might and main they chas'd the murderous fox,
With brazen trumpets, and inflated box,

To kindle Mars with military sounds;
Nor wanted horns t' inspire sagacious hounds.
But see how fortune can confound the wise,
And, when they least expect it, turn the dice.
The captive cock, who scarce could draw his breath,
And lay within the very jaws of death,
Yet in this agony his fancy wrought,

And fear supplied him with this happy thought:
Yours is the prize, victorious prince, said he;
The vicar my defeat, and all the village see;
Enjoy your friendly fortune while you may,
And bid the churls that envy you the prey
Call back their mongrel curs, and cease their cry;
See, fools, the shelter of the wood is nigh,
And Chanticleer in your despite shall die;
He shall be pluck'd and eaten to the bone.
'Tis well advis'd, in faith it shall be done.
This Reynard said; but, as the word he spoke,
The prisoner with a spring from prison broke;
Then stretch'd his feather'd fans with all his might,
And to the neighbouring maple wing'd his flight.
Whom when the traitor safe on tree beheld,
He curs'd the gods, with shame and sorrow fill'd;
Shame for his folly, sorrow out of time,
For plotting an unprofitable crime;
Yet, mastering both, th' artificer of lies
Renews th' assault, and his last battery tries.
Though I, said he, did ne'er in thought offend,
How justly may my lord suspect his friend!
Th' appearance is against me, I confess,
Who seemingly have put you in distress:
You, if your goodness does not plead my cause,
May think I broke all hospitable laws,
To bear you from your palace-yard by might,
And put your noble person in a fright:
This, since you take it ill, I must repent,
Though, Heaven can witness, with no bad intent;
I practis'd it, to make you taste your cheer
With double pleasure, first prepar'd by fear.

So loyal subjects often seize their prince,
Forc'd (for his good) to seeming violence,
Yet mean his sacred person not the least offence.
Descend; so help me Jove, as you shall find
That Reynard comes of no dissembling kind.

Nay, quoth the cock; but I beshrew us both, If I believe a saint upon his oath :

An honest man may take a knave's advice,
But idiots only may be cozen'd twice:
Once warn'd is well bewar'd; not flattering lies
Shall soothe me more to sing with winking eyes
And open mouth, for fear of catching flies.
Who blindfold walks upon a river's brim,
When he should see, has he deserv'd to swim!
Better, sir cock, let all contention cease.
Come down, said Reynard, let us treat of peace.
A peace with all my soul, said Chanticleer,
But, with your favour, I will treat it here:
And, lest the truce with treason should be mixt,
'Tis my concern to have the tree betwixt.

THE MORAL.

In this plain fable you th' effect may see
Of negligence and fond credulity:
And learn, besides, of flatterers to beware,
Then most pernicious when they speak too fair.
The cock and fox the fool and knave imply;
The truth is moral, though the tale a lie.
Who spoke in parables, I dare not say;
But sure he knew it was a pleasing way,
Sound sense, by plain example, to convey.
And in a heathen author we may find,
That pleasure with instruction should be join'd:
So take the corn, and leave the chaff behind.

[Inconveniences of Life in Rome.]
[From Juvenal.]

Who fears in country towns a house's fall,
Or to be caught betwixt a riven wall?
But we inhabit a weak city here,

Which buttresses and props but scarcely bear:
And 'tis the village mason's daily calling,
To keep the world's metropolis from falling;
To cleanse the gutters, and the chinks to close;
And, for one night, secure his lord's repose.
At Cuma we can sleep quite round the year,
Nor falls, nor fires, nor nightly dangers fear;
While rolling flames from Roman turrets fly,
And the pale citizens for buckets cry.
Thy neighbour has remov'd his wretched store,
(Few hands will rid the lumber of the poor)
Thy own third storey smokes, while thou, supine,
Art drench'd in fumes of undigested wine.
For if the lowest floors already burn,
Cock-loft and garrets soon will take the turn.
Where thy tame pigeons next the tiles were bred,
Which, in their nests unsafe, are timely fled,
Codrus had but one bed, so short to boot,
That his short wife's short legs hung dangling out;
His cupboard's head six earthen pitchers grac'd,
Beneath them was his trusty tankard plac'd.
And, to support this noble plate, there lay
A bended Chiron cast from honest clay;
His few Greek books a rotten chest contain'd,
Whose covers much of mouldiness complain'd;
Where mice and rats devour'd poetic bread,
And with heroic verse luxuriously were fed.
'Tis true poor Codrus nothing had to boast,
And yet poor Codrus all that nothing lost,
Begg❜d naked through the streets of wealthy Rome,
And found not one to feed, or take him home.
But if the palace of Arturius burn,

The nobles change their clothes, the matrons mourn;
The city prætor will no pleadings hear;
The very name of fire we hate and fear,
And look aghast, as if the Gauls were here.

While yet it burns, th' officious nation flies,
Some to condole, and some to bring supplies:
One sends him marble to rebuild, and one
With naked statues of the Parian stone,
The work of Polyclete, that seem to live;
While other images for altars give;

One books and screens, and Pallas to the breast:
Another bags of gold, and he gives best.
Childless Arturius, vastly rich before,
Thus by his losses multiplies his store:
Suspected for accomplice to the fire,

That burnt his palace but to build it higher.
But could you be content to bid adieu
To the dear play-house and the players too,
Sweet country seats are purchas'd everywhere,
With lands and gardens, at less price than here
You hire a darksome dog-hole by the year;
A small convenience decently prepar'd,
A shallow well that rises in your yard,
That spreads his easy crystal streams around,
And waters all the pretty spot of ground.
There, love the fork, thy garden cultivate,

And give thy frugal friends a Pythagorean treat;
"Tis somewhat to be lord of some small ground,
In which a lizard may, at least, turn round.
'Tis frequent here, for want of sleep, to die,
Which fumes of undigested feasts deny ;
And, with imperfect heat, in languid stomachs fry.
What house secure from noise the poor can keep,
When ev'n the rich can scarce afford to sleep;
So dear it costs to purchase rest in Rome;
And hence the sources of diseases come.

The drover who his fellow drover meets
In narrow passages of winding streets;
The wagoners that curse their standing teams,
Would wake ev'n drowsy Drusius from his dreams.
And yet the wealthy will not brook delay,
But sweep above our heads, and make their way,
In lofty litters borne, and read and write,
Or sleep at ease: the shutters make it night.
Yet still he reaches, first, the public place;
The press before him stops the client's pace:
The crowd that follows crush his panting sides,
And trip his heels; he walks not, but he rides.
One elbows him, one justles in the shoal:
A rafter breaks his head, or chairman's pole;
Stocking'd with loads of fat town-dirt he goes;
And some rogue soldier, with his hob-nail'd shoes,
Indents his legs behind in bloody rows.
See with what smoke our doles we celebrate;
A hundred guests, invited, walk in state:

A hundred hungry slaves, with their Dutch kitchens, wait.

Huge pans the wretches on their heads must bear,
Which scarce gigantic Corbulo could rear;
Yet they must walk upright beneath the load:
Nay, run, and running, blow the sparkling flames
abroad;

Their coats, from botching newly bought, are torn.
Unwieldy timber-trees in wagons borne,
Stretch'd at their length, beyond their carriage lie,
That nod, and threaten ruin from on high.
For should their axle break, its overthrow
Would crush, and pound to dust, the crowd below:
Nor friends their friends, nor sires their sons could
know:

Nor limbs, nor bones, nor carcass would remain,
But a mash'd heap, a hotch-potch of the slain.
One vast destruction; not the soul alone,
But bodies, like the soul, visibly are flown.
Meantime, unknowing of their fellows' fate,
The servants wash the platter, scour the plate,
Then blow the fire, with puffing cheeks, and lay
The rubbers, and the bathing sheets display;
And oil them first; and each is handy in his

way.

But he, for whom this busy care they take,
Poor ghost! is wandering by the Stygian lake:
Affrighted with the ferryman's grim face;
New to the horrors of that uncouth place;
His passage begs with unregarded prayer,
And wants two farthings to discharge his fare.
Return we to the dangers of the night;
And, first, behold our houses' dreadful height,
From whence come broken potsherds tumbling down,
And leaky ware, from garret-windows thrown;
Well may they break our heads, and mark the flinty
stone.

"Tis want of sense to sup abroad too late,
Unless thou first hast settled thy estate.
As many fates attend thy steps to meet,
As there are waking windows in the street.
The scouring drunkard, if he does not fight
Before his bed-time, takes no rest that night;
Passing the tedious hours in greater pain
Than stern Achilles, when his friend was slain:
'Tis so ridiculous, but so true withal,

A bully cannot sleep without a brawl:
Yet, though his youthful blood be fir'd with wine,
He wants not wit the danger to decline:
Is cautious to avoid the coach-and-six,
And on the lacqueys will no quarrel fix.
His train of flambeaux, and embroider'd coat,
May privilege my lord to walk secure on foot;
But me, who must by moonlight homeward bend,
Or lighted only with a candle's end,
Poor me he fights, if that be fighting, where
He only cudgels, and I only bear.
He stands, and bids me stand: I must abide;
For he's the stronger, and is drunk beside.

Where did you whet your knife to-night, he cries,
And shred the leeks that in your stomach rise!
With what companion-cobbler have you fed
On old ox-cheeks, or he-goat's tougher head!
What! are you dumb? Quick with your answer, quick,
Before my foot salutes you with a kick.
Say in what nasty cellar under ground,
Or what church porch your rogueship may be found!
Answer, or answer not, 'tis all the same;
He lays me on, and makes me bear the blame.
Before the bar, for beating him you come;
This is a poor man's liberty in Rome.
You beg his pardon, happy to retreat
With some remaining teeth to chew your meat.
Nor is this all; for when retired, you think
To sleep securely; when the candles wink,
When every door with iron chains is barr'd,
And roaring taverns are no longer heard;
The ruffian-robbers by no justice aw'd,
And unpaid cut-throat soldiers are abroad;
Those venal souls, who, harden'd in each ill,
To save complaints and persecution, kill.
Chas'd from their woods and bogs, the padders come
To this vast city as their native home;
To live at ease, and safely skulk in Rome.

The forge in fetters only is employ'd; Our iron mines exhausted and destroy'd In shackles; for these villains scarce allow Goads for teams, and ploughshares for the plough. Oh, happy ages of our ancestors, Beneath the kings and tribunitial powers! One jail did all their criminals restrain, Which now the walls of Rome can scarce contain. More I could say, more causes I could show For my departure; but the sun is low: The wagoner grows weary of my stay, And whips his horses forwards on their way. Farewell; and when, like me, o'erwhelm'd with care, You to your own Aquinum shall repair, To take a mouthful of sweet country air, Be mindful of your friend; and send me word What joys your fountains and cool shades afford;

Then, to assist your satires, I will come,
And add new venom when you write of Rome.

[Enjoyment of the Present Hour Recommended.] [From the twenty-ninth ode of the First Book of Horace.] Enjoy the present smiling hour, And put it out of Fortune's pow'r: The tide of business, like the running stream, Is sometimes high, and sometimes low, And always in extreme.

Now with a noiseless gentle course
It keeps within the middle bed;

Anon it lifts aloft the head,

And bears down all before it with impetuous force;
And trunks of trees come rolling down;
Sheep and their folds together drown:
Both house and homestead into seas are borne;
And rocks are from their old foundations torn ;
And woods, made thin with winds, their scatter'd
honours mourn.

Happy the man, and happy he alone,

He who can call to-day his own:
He who, secure within, can say,

To-morrow do thy worst, for I have liv'd to-day.
Be fair or foul, or rain or shine,

The joys I have possess'd, in spite of fate, are mine.
Not heaven itself upon the past has power;

But what has been, has been, and I have had my hour.

Fortune, that with malicious joy
Does man, her slave, oppress,
Proud of her office to destroy,
Is seldom pleas'd to bless:

Still various, and inconstant still,
But with an inclination to be ill,

Promotes, degrades, delights in strife,
And makes a lottery of life.

I can enjoy her while she's kind;
But when she dances in the wind,

And shakes her wings, and will not stay,
I puff the prostitute away:

The little or the much she gave is quietly resign'd:
Content with poverty, my soul I arm;

And virtue, though in rags, will keep me warm.

What is't to me,

Who never sail in her unfaithful sea,

If storms arise, and clouds grow black; If the mast split, and threaten wreck? Then let the greedy merchant fear

For his ill-gotten gain;

And pray to gods that will not hear, While the debating winds and billows bear

His wealth into the main.
For me, secure from Fortune's blows,
Secure of what I cannot lose,
In my small pinnace I can sail,
Contemning all the blustering roar;
And running with a merry gale,
With friendly stars my safety seek,
Within some little winding creek,
And see the storm ashore.

JOHN PHILIPS.

Mr Southey has said that the age from Dryden to Pope is the worst age of English poetry. In this interval, which was but short, for Dryden bore fruit to the last, and Pope was early in blossom, there were about twenty poets, most of whom might be blotted from our literature, without being missed or regretted. The names of Smith, Duke, King, Sprat, Garth, Hughes, Blackmore, Fenton, Yalden, Hammond, Savage, &c., have been preserved by

Dr Johnson, but they excite no poetical associations. Their works present a dead-level of tame and uninteresting mediocrity. The artificial taste introduced in the reign of Charles II., to the exclusion of the romantic spirit which animated the previous reign, sunk at last into a mere collocation of certain phrases and images, of which each repetition was more weak than the last. Pope revived the national spirit by his polished satire and splendid versification; but the true poetical feeling lay dormant till Thomson's Seasons and Percy's Relics of Ancient Poetry spoke to the heart of the people, and recalled the public taste from art to nature.

Of the artificial poets of this age, JOHN PHILIPS (1676-1708) evinced considerable talent in his Splendid Shilling, a parody on the style of Milton, He was the son of Dr Philips, archdeacon of Salop, who officiated as minister of Bampton, in Oxfordshire. He intended to follow the medical profession, and studied natural history, but was cut off at the early age of thirty-three. Philips wrote a poem on the victory of Blenheim, and another on Cider, the latter in imitation of the Georgics. The whole are in blank verse. He was an avowed imitator of Milton, but regretted that, like his own Abdiel, the great poet had not been found'

faithful

But he-however let the muse abstain,
Nor blast his fame, from whom she learnt to sing
In much inferior strains, grovelling beneath
Th' Olympian hill, on plains and vales intent-
Mean follower.

The notion, that Philips was able, by whatever he might write, to blast the fame of Milton, is one of those preposterous conceits which even able men will sometimes entertain.

The Splendid Shilling.

- Sing, heavenly muse !

Things unattempted yet, in prose or rhyme,' A shilling, breeches, and chimeras dire. Happy the man, who, void of care and strife, In silken or in leathern purse retains A Splendid Shilling: he nor hears with pain New oysters cried, nor sighs for cheerful ale; But with his friends, when nightly mists arise, To Juniper's Magpie, or Town-hall1 repairs: Where, mindful of the nymph, whose wanton eye Transfix'd his soul, and kindled amorous flames, Chloe or Phillis, he each circling glass Wishes her health, and joy, and equal love. Meanwhile he smokes, and laughs at merry tale, Or pun ambiguous, or conundrum quaint. But I, whom griping penury surrounds, And hunger, sure attendant upon want, With scanty offals, and small acid tiff, Wretched repast! my meagre corpse sustain: Then solitary walk, or doze at home In garret vile, and with a warming puff Regale chill'd fingers; or from tube as black As winter-chimney, or well-polish'd jet, Exhale mundungus, ill-perfuming scent: Not blacker tube, nor of a shorter size, Smokes Cambro-Britain (versed in pedigree, Sprung from Cadwallader and Arthur, kings Full famous in romantic tale) when he O'er many a craggy hill and barren cliff, Upon a cargo of fam'd Cestrian cheese, High over-shadowing rides, with a design To vend his wares, or at th' Avonian mart, Or Maridunum, or the ancient town

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Yclep'd Brechinia, or where Vaga's stream
Encircles Ariconium, fruitful soil!
Whence flows nectareous wines, that well may vie
With Massic, Setin, or renown'd Falern.

Thus, while my joyless minutes tedious flow
With looks demure, and silent pace, a dun,
Horrible monster! hated by gods and men,
To my aërial citadel ascends:

With vocal heel thrice thundering at my gate;
With hideous accent thrice he calls; I know
The voice ill-boding, and the solemn sound.
What should I do? or whither turn? Amaz'd,
Confounded, to the dark recess I fly

Of wood-hole; straight my bristling hairs erect
Through sudden fear: a chilly sweat bedews
My shuddering limbs, and (wonderful to tell!)
My tongue forgets her faculty of speech;
So horrible he seems! His faded brow
Intrench'd with many a frown, and conic beard,
And spreading band, admir'd by modern saints,
Disastrous acts forebode; in his right hand
Long scrolls of paper solemnly he waves,
With characters and figures dire inscribed,
Grievous to mortal eyes (ye gods, avert

And restless wish, and rave; my parched threat
Finds no relief, nor heavy eyes repose:
But if a slumber haply does invade
My weary limbs, my fancy's still awake;
Thoughtful of drink, and eager, in a dream,
Tipples imaginary pots of ale

In vain; awake, I find the settled thirst
Still gnawing, and the pleasant phantom curse.

Thus do I live, from pleasure quite debarr'd,
Nor taste the fruits that the sun's genial rays
Mature, John-apple, nor the downy peach,
Nor walnut in rough-furrow'd coat secure,
Nor medlar, fruit delicious in decay.
Afflictions great! yet greater still remain:
My galligaskins, that have long withstood
The winter's fury and encroaching frosts,
By time subdued (what will not time subdue!)
A horrid chasm disclos'd with orifice
Wide, discontinuous; at which the winds
Eurus and Auster, and the dreadful force
Of Boreas, that congeals the Cronian waves,
Tumultuous enter with dire chilling blasts,
Portending agues. Thus, a well-fraught ship,
Long sail'd secure, or through th' Ægean deep,

Such plagues from righteous men !) Behind him stalks Or the Ionian, till, cruising near

Another monster, not unlike himself,
Sullen of aspect, by the vulgar call'd

A catchpole, whose polluted hands the gods
With force incredible, and magic charms,
First have endued: if he his ample palm
Should haply on ill-fated shoulder lay
Of debtor, straight his body, to the touch
Obsequious (as whilom knights were wont),
To some enchanted castle is convey'd,
Where gates impregnable, and coercive chains,
In durance strict detain him, till, in form
Of money, Pallas sets the captive free.

Beware, ye debtors! when ye walk, beware,
Be circumspect; oft with insidious ken
This caitiff eyes your steps aloof, and oft
Lies perdue in a nook or gloomy cave,
Prompt to enchant some inadvertent wretch
With his unhallow'd touch. So (poets sing)
Grimalkin, to domestic vermin sworn
An everlasting foe, with watchful eye
Lies nightly brooding o'er a chinky gap,
Portending her fell claws, to thoughtless mice
Sure ruin. So her disembowell'd web
Arachne, in a hall or kitchen, spreads
Obvious to vagrant flies: she secret stands
Within her woven cell; the humming prey,
Regardless of their fate, rush on the toils
Inextricable; nor will aught avail

Their arts, or arms, or shapes of lovely hue;
The wasp insidious, and the buzzing drone,
And butterfly, proud of expanded wings
Distinct with gold, entangled in her snares,
Useless resistance make: with eager strides,
She tow'ring flies to her expected spoils:
Then, with envenom'd jaws, the vital blood
Drinks of reluctant foes, and to her cave
Their bulky carcasses triumphant drags.

So pass my days. But, when nocturnal shades
This world envelop'd, and th' inclement air
Persuades men to repel benumbing frosts
With pleasant wines and crackling blaze of wood,
Me, lonely sitting, nor the glimmering light
Of make-weight candle, nor the joyous talk
Of loving friend, delights; distress'd, forlorn,
Amidst the horrors of the tedious night,
Darkling I sigh, and feed with dismal thoughts
My anxious mind; or sometimes mournful verse
Indite, and sing of groves and myrtle shades,
Or desperate lady near a purling stream,
Or lover pendent on a willow-tree.
Meanwhile I labour with eternal drought,

The Lilybean shore, with hideous crush
On Scylla or Charybdis (dangerous rocks!)
She strikes rebounding; whence the shatter'd oak,
So fierce a shock unable to withstand,
Admits the sea; in at the gaping side
The crowding waves gush with impetuous rage,
Resistless, overwhelming! horrors seize
The mariners; death in their eyes appears;
They stare, they lave, they pump, they swear, they

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JOHN POMFRET (1667-1703) was the son of clergyman, rector of Luton, in Bedfordshire, and himself a minister of the church of England. He obtained the rectory of Malden, also in Bedfordshire, and had the prospect of preferment; but the bishop of London considered, unjustly, his poem, The Choice, as conveying an immoral sentiment, and rejected the poetical candidate. Detained in London by this unsuccessful negotiation, Pomfret caught the smallpox, and died. The works of this amiable ill-fated man consist of occasional poems and some Pindarie Essays, the latter evidently copied from Cowley. The only piece of Pomfret's now remembered (we can hardly say read) is 'The Choice.' Dr Johnson remarks that no composition in our language has been oftener perused; and Mr Southey asks why Pomfret's Choice' is the most popular poem in the English language? To the latter observation Mr Campbell makes a quaint reply-It might have been demanded with equal propriety, why London bridge is built of Parian marble.' It is difficult in the present day, when the English muse has awakened to so much higher a strain of thought and expression, and a large body of poetry, full of passion, natural description, and emotion, lies between us and the times of Pomfret, to conceive that the 'Choice' could ever have been a very popular poem. It is tame and commonplace. The idea, however, of a country retirement, a private seat, with a wood, garden, and stream, a clear and competent estate, and the enjoyment of lettered ease and happiness, is so grateful and agreeable to the mind of man, espe cially in large cities, that we can hardly forbear liking a poem that recalls so beloved an image to our recollection. Swift has drawn a similar picture

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