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woe

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While some affect the sun, and some the shade,

Some flee the city, some the hermitage, Lead it through various scenes of life and Their aims as various as the roads they

death,

take

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Thy long-extended realms, and rueful Again the screech-owl shrieks: ungracious

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Embodied, thick, perform their mystic rounds.

No other merriment, dull tree! is thine. See yonder hallowed fane;-the pious work

Of names once famed, now dubious or forgot,

sound!

I'll hear no more; it makes one's blood run chill.

Quite round the pile, a row of reverend elms,

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(Coeval near with that) all ragged show, Long lashed by the rude winds. Some rift half down

Their branchless trunks; others so thin a-top,

That scarce two crows could lodge in the same tree.

Strange things, the neighbors say, have happened here:

50 Wild shrieks have issued from the hollow tombs;

Dead men have come again, and walked about;

And the great bell has tolled, unrung, untouched.

(Such tales their cheer, at wake or gossiping,

When it draws near the witching time of night.)

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Oft in the lone church-yard at night I've seen,

By glimpse of moonshine chequering through the trees,

The school-boy, with his satchel in his hand,

And buried midst the wreck of things Whistling aloud to bear his courage up, And lightly tripping o'er the long flat stones,

which were;

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There lie interred the more illustrious

dead.

The wind is up: hark! how it howls! Methinks

Till now I never heard a sound so dreary: Doors creak, and windows clap, and night's foul bird,

бо

(With nettles skirted, and with moss o'ergrown,)

That tell in homely phrase who lie below. Sudden he starts, and hears, or thinks he hears,

1 cowering.

The sound of something purring at his heels;

Full fast he flies, and dares not look behind him,

65 Till out of breath he overtakes his fellows:

Who gather round, and wonder at the tale Of horrid apparition, tall and ghastly, That walks at dead of night, or takes his stand

ODE

WRITTEN IN THE BEGINNING OF THE YEAR 1746

How sleep the brave who sink to rest By all their country's wishes blest! When Spring, with dewy fingers cold, Returns to deck their hallowed mould, She there shall dress a sweeter sod

O'er some new-opened grave; and (strange Than Fancy's feet have ever trod.

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By forms unseen their dirge is sung;
There Honor comes, a pilgrim grey,
To bless the turf that wraps their clay; 10
And Freedom shall awhile repair,
To dwell a weeping hermit there!

ODE TO EVENING

If ought of oaten stop, or pastoral song, May hope, chaste Eve, to soothe thy modest ear,

Like thy own solemn springs,
Thy springs and dying gales,

O nymph reserved, while now the brighthaired sun

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Sits in yon western tent, whose cloudy

skirts,

With brede1 ethereal wove,

O'erhang his wavy bed:

Now air is hushed, save where the weakeyed bat,

With short shrill shriek, flits by on leathern wing,

Or where the beetle winds
His small but sullen horn,

ΙΟ

As oft he rises 'midst the twilight path,
Against the pilgrim borne in heedless hum:
Now teach me, maid composed,
To breathe some softened strain,

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Whose numbers, stealing through thy darkening vale

May not unseemly with its stillness suit,
As, musing slow, I hail
Thy genial loved return!

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THE PASSIONS

AN ODE FOR MUSIC

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When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possessed beyond the Muse's painting;
By turns they felt the glowing mind
Disturbed, delighted, raised, refined:
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound;
And as they oft had heard apart
Sweet lessons of her forceful art,
Each, for madness ruled the hour,
Would prove his own expressive power.

ΙΟ

15

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Were ne'er prophetic sounds so full of Last came Joy's ecstatic trial.

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First to the lively pipe his hand addressed;

But soon he saw the brisk awakening viol,

Whose sweet entrancing voice he loved the best.

They would have thought, who heard the strain,

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They saw in Tempe's vale her native maids

Amidst the festal sounding shades, To some unwearied minstrel dancing, While, as his flying fingers kissed the strings,

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Loved framed with Mirth a gay fantastic round; Loose were her tresses seen, her zone unbound,

And he, admist his frolic play,

As if he would the charming air repay, Shook thousand odors from his dewy

wings.

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O Music, sphere-descended maid,
Friend of Pleasure, Wisdom's aid,
Why, goddess, why, to us denied,
Lay'st thou thy ancient lyre aside?
As in that loved Athenian bower
You learned an all-commanding power, 100
Thy mimic soul, O nymph endeared,
Can well recall what then it heard.

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Where is thy native simple heart,
Devote to Virtue, Fancy, Art?
Arise as in that elder time,
Warm, energic,1 chaste, sublime!
Thy wonders, in that godlike age,
Fill thy recording sister's page.-
'Tis said, and I believe the tale,
Thy humblest reed could more prevail, 110
Had more of strength, diviner rage,
Than all which charms this laggard age,
Ev'n all at once together found,
Cecilia's mingled world of sound.

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