Let me however do them justice. One is a wit, and one a scholar. They have both fhewn acutenefs fufficient in the difcovery of faults, and have both advanced fome probable interpretations of obfcure paffages; but when they afpire to conjecture and emendation, it appears how falfely we all eftimate our own abilities, and the little which they have been. áble to perform might have taught them more candour to the endeavours of others.

Before Dr. Warburton's edition, Critical obfervations on Shakespeare had been published by Mr. Uptont, a man skilled in languages, and acquainted with books, but who feems to have had no great vigour of genius or nicety of tafte. Many of his explanations are curious and useful, but he likewife, though he profeffed to oppose the licentious confidence of editors, and adhere to the old copies, is unable to restrain the rage of emendation, though his ardour is ill feconded by his fkill. Every cold empirick, when his heart is expanded by a fuccefsful experiment, fwells into a theorist, and the laborious collator at fome unlucky moment frolicks in conjecture.

Critical, hiftorical, and explanatory notes have been likewife published upon Shakespeare by Dr. Grey,

It is extraordinary that this gentleman fhould attempt fo voluminous a work, as the Revifal of Shakespeare's text, when he tells us in his preface," he was not fo fortunate as to be "furnished with either of the folio editions, much less any of "the ancient quartos: and even Sir Thomas Hanmer's per"formance was known to him only by Dr. Warburton's repre"fentation." FARMER.

Republished by him in 1748, after Dr. Warburton's edition, with alterations, &c. STEEVENS.

whofe diligent perufal of the old English writers has enabled him to make some useful obfervations. What he undertook he has well enough performed, but as he neither attempts judicial nor emendatory criticifm, he employs rather his memory than his fagacity. It were to be wifhed that all would endeavour to imitate his modefty, who have not been able to furpass his knowledge,

I can fay with great fincerity of all my predeceffors, what I hope will hereafter be faid of me, that not one has left Shakespeare without improvement, nor is there one to whom I have not been indebted for affiftance and information. Whatever I have taken from them, it was my intention to refer to its original author, and it is certain, that what I have not given to another, I believed when I wrote it to be my own. In fome perhaps I have been anticipated; but if I am ever found to encroach upon the remarks of any other commentator, I am willing that the honour, be it more or lefs, fhould be transferred to the first claimant, for his right, and his alone, stands above difpute; the fecond can prove his pretenfions only to himself, nor can himself always diftinguish invention, with fufficient certainty, from recollection.

They have all been treated by me with candour, which they have not been careful of observing to one another. It is not eafy to discover from what cause the acrimony of a fcholiaft can naturally proceed. The fubjects to be difcuffed by him are of very fmall importance; they involve neither property nor liberty; nor favour the intereft of sect or party. The

various

various readings of copies, and different interpretations of a paffage, feem to be queftions that might exercise the wit, without engaging the paffions. But whether it be, that fmall things make mean men proud, and vanity catches fmall occafions; or that all contrariety of opinion, even in those that can defend it no longer, makes proud men angry; there is often found in commentaries a fpontaneous ftrain of invective and contempt, more eager and venomous than is vented by the moft furious controvertist in politicks against those whom he is hired to defame.

Perhaps the lightness of the matter may conduce to the vehemence of the agency; when the truth to be investigated is fo near to inexistence, as to escape attention, its bulk is to be enlarged by rage and exclamation: that to which all would be indifferent in its original ftate, may attract notice when the fate of a name is appended to it. A commentator has indeed great temptations to fupply by turbulence what he wants of dignity, to beat his little gold to a fpacious furface, to work that to foam which no art or diligence can exalt to spirit.

The notes which I have borrowed or written are either illustrative, by which difficulties are explained; or judicial, by which faults and beauties are remarked; or emendatory, by which depravations are corrected.

The explanations tranfcribed from others, if I do not fubjoin any other interpretation, I fuppofe commonly to be right, at least I intend by acquiefcence [D3]

to

to confefs, that I have nothing better to propofa.

After the labours of all the editors, I found many paffages which appeared to me likely to obftruct the greater number of readers, and thought it my duty to facilitate their paffage. It is impoffible for an expofitor not to write too little for fome, and too much for others. He can only judge what is neceffary by his own experience; and how long foever he may deliberate, will at laft explain many lines which the learned will think impoffible to be mistaken, and omit many for which the ignorant will want his help. Thefe are cenfures merely relative, and must be quietly endured. I have endeavoured to be neither fuperfluoufly copious, nor fcrupulously referved, and hope that I have made my author's meaning acceffible to many, who before were frighted from perufing him, and contributed fomething to the publick, by dif fufing innocent and rational pleasure.

The complete explanation of an author not fyflematick and confequential, but defultory and vagrant, abounding in cafual allufions and light hints, is not to be expected from any fingle fcholiaft. All perfonal reflections, when names are fuppreffed, must be in a few years irrecoverably obliterated; and customs, too minute to attract the notice of law, fuch as modes of drefs, formalities of converfation, rules of vifits, difpofition of furniture, and practices of ceremony, which naturally find places in familiar dialogue, are fo fugitive and unsubstantial, that they are not easily retained or recovered. What can be known will be collected by chance, from the receffes of obfcure and

obfolete

obsolete papers, perused commonly with fome other view. Of this knowledge every man has fome, and none has much; but when an author has engaged the publick attention, thofe who can add any thing to his illuftration, communicate their difcoveries, and time produces what had eluded diligence.

To time I have been obliged to refign many paffages, which, though I did not understand them, will perhaps hereafter be explained, having, I hope, illuftrated fome, which others have neglected or miftaken, fometimes by fhort remarks, or marginal directions, fuch as every editor has added at his will, and often by comments more laborious than the matter will seem to deferve; but that which is most difficult is not always moft important, and to an editor nothing is a trifle by which his author is obfcured.

The poetical beauties or defects I have not been very diligent to observe. Some plays have more, and fome fewer judicial obfervations, not in proportion to their difference of merit, but because I gave this part of my design to chance and to caprice. The reader, I believe, is feldom pleased to find his opinion anticipated; it is natural to delight more, in what we find or make, than in what we receive. Judgment, like other faculties, is improved by practice, and its advancement is hindered by fubmiffion to dictatorial decifions, as the memory grows torpid by the ufe of a table-book. Some initiation, is however neceffary; of all skill, part is infused by precept, and part is obtained by habit; I have therefore fhewn fo much [D4]

as