Sil. And duty never yet did want his meed: Servant, you are welcome to a worthlefs mistress. Pro. I'll die on him that fays fo, but yourself. Sil. That you are welcome? Pro. No; that you are worthless. 6 Enter Servant. Ser. Madam, my lord your father would speak with you. Sil. I'll wait upon his pleasure. [Exit Serv.] Come, Sir Thurio, Go with me :-Once more, new fervant, welcome : I'll leave you to confer of home-affairs; When you have done, we look to hear from you. Pro. We'll both attend upon your ladyship. [Exit Silvia and Thurio. Val. Now, tell me, how do all from whence you came ? Pre. Your friends are well, and have them much commended. Val. And how do yours? Pro. I left them all in health. Val. How does your lady? and how thrives love? your Pro. My tales of love were wont to weary you; I know, you joy not in a love-discourse. Val. Ay, Protheus, but that life is alter'd now: I have done penance for contemning love; 7 Whofe high imperious thoughts have punifh'd me No; that you are worthless.] I have inferted the particle no to fill up the measure. JOHNSON. 6 Thur. Madam, my lord your father-] This speech in all the editions is affigned improperly to Thurio; but he has been all along upon the ftage, and could not know that the duke wanted his daughter. Befides, the first line and half of Silvia's answer is evidently addreffed to two perfons. A fervant, therefore, must come in and deliver the meffage; and then Silvia goes out with Thurio. THEOBALD. 1 Whofe high imperious] For whofe I read those. I have contemned love and am punished, Thofe high thoughts by which I exalted myself above 'human paffions or frailties, have brought upon me fafts and groans. JOHNSON, With bitter fafts, with penitential groans, And hath fo humbled me, as, I confefs, 8 There is no woe to his correction, Nor, to his fervice, no fuch joy on earth! Pro. Enough; I read your fortune in your eye: Was this the idol that you worship fo? Val. Even fhe; and is the not a heavenly faint? Pro. I will not flatter her. Val. O flatter me; for love delights in praise. Pro. When I was fick, you gave me bitter pills; And I muft minifter the like to you, Val. Then speak the truth by her; if not divine, Yet let her be a principality, Sovereign to all the creatures on the earth. Val. Sweet, except not any; Except thou wilt except against my love, -no woe to his correction ;] No mifery that can be com pared to the punishment inflicted by love. Herbert called for the prayers of the liturgy a little before his death, faying, None to them, none to them. JOHNSON, The fame idiom occurs in an old ballad quoted in Cupid's Whir• ligig, 1616: "There is no comfort in the world "To women that are kind." MALONE. a principality,] The first or principal of women. So the old writers ufe ftate. "She is a lady, a great state." Latymer. "This Look is called in states varlie, in others other wife." Sir T. More. JOHNSON. Val. And I will help thee to prefer her too: She fhall be dignified with this high honour,To bear my lady's train; left the base earth Should from her vesture chance to fteal a kifs, And, of fo great a favour growing proud, Difdain to root the fummer-fwelling flower, And make rough winter everlastingly. Pro. Why, Valentine, what braggardifm is this? Val. Pardon me, Protheus: all I can, is nothing To her, whose worth makes other worthies nothing; 2 She is alone. Pro. Then let her alone. Val. Not for the world: why, man, fhe is mine own; And I as rich in having fuch a jewel, As twenty feas, if all their fand were pearl, Val. Ay, and we are betroth'd; nay, more, our marriage hour, With all the cunning manner of our flight, Summer-fvelling flower,] I once thought that the poet had written fummer-fmelling; but the epithet which stands in the text I have fince met with in the tranflation of Lucan, by Sir Arthur Gorges, 1614, b. viii. p. 354: 66 -no Roman chieftaine fhould "Come neare to Nyles Pelufian mould, The original is, 66 ripafque aftate tumentes," 1. 829. May likewife renders it fummer-favelled banks. The fummer-fwelling flower is the flower which fwells in fummer, till it expands itself into bloom, STEEVENS. 2 She is alone. She stands by herself. There is none to be compared to her. JOHNSON. Determin'd Determin'd of: how I muft climb her window; Pro. I will. [Exit Val. Even as one heat another heat expels, 3 Is it mine THEN, or Valentino's praife,] Here Protheus quef tions with himself, whether it is his own praife, or Valentine's, that makes him fall in love with Valentine's mistress. But not to infift on the abfurdity of falling in love through his own praises, he had not indeed praised her any farther than giving his opinion of her in three words, when his friend asked it of him. In all the old editions we find the line printed thus : It is mine, or Valentino's praife? A word is wanting. The line was originally thus: Is it mine EYE, or Valentino's praife? Protheus had just seen Valentine's mistress, whom her lover had been lavishingly praifing. His encomiums therefore heightening Protheus's idea of her at the interview, it was the lefs wonder he should be uncertain which had made the ftrongest impreffion, Valentine's praises, or his own view of her. WARBURTON. 4 a waxen image 'gainst a fire,] Alluding to the figures made by witches, as reprefentatives of those whom they defigned to torment or deftroy. STEEVENS. And 6 And that I love him not, as I was wont : [Exit. swith more advice,] With more prudence, with more difcretion. JOHNSON. With more advice, is on further knowledge, on better confideration. So in Titus Andronicus : "The Greeks, upon advice, did bury Ajax." The word, as Mr. Malone obferves, is ftill current among mercantile people, whofe conftant language is, "We are advised by letters from abroad," meaning informed. So in bills, the conclufion always is" Without further advice." So in this very play : "This pride of hers, upon advice, &c.” So in Measure for Measure: "Yet did repent me after more advice." STEEVENS. 'Tis but her picture] This is evidently a flip of attention, for he had seen her in the last scene, and in high terms offered her his fervice. JOHNSON. I believe Protheus means, that, as yet, he had seen only her outward form, without having known her long enough to have any acquaintance with her mind. So in Cymbeline: "All of her, that is, out of door, most rich! Again, in the Winter's Tale, act II. fc. i: "Praife her but for this her without-door form." STEEVENS. SCENE |