He overtaketh in his pilgrimage; And fo by many winding nooks he strays, prevent Luc. But in what habit will you go along? Luc. Why then your ladyfhip muft cut your hair. Jul. No, girl; I'll knit it up in filken ftrings, With twenty odd-conceited true-love knots: To be fantastic, may become a youth Of greater time than I fhall fhew to be. Luc. What fafhion, madam, fhall I make your breeches? Jul. That fits as well, as-" tell me, good my lord, "What compass will you wear your farthingale?" Why, even that fashion thou beft lik'ft, Lucetta. Luc. You must needs have them with a cod-piece, madam. 6 Jul. Out, out, Lucetta! that will be ill-favour'd. -with a cod-piece, &c.] Whoever wishes to be acquainted with this particular, relative to drefs, may confult Bulwer's Artificial Changeling, in which fuch matters are very amply dif cuffed. Ocular inftruction may be had from the armour fhewn as John of Gaunt's in the Tower of London. The fame fashion appears to have been no lefs offenfive in France. See Montaigne, chap. XXII. The custom of sticking pins in this oftentatious piece of indecency, was continued by the illiberal warders of the Tower, till forbidden by authority.. STEEVENS. Out, out, Lucetta! &c.] Dr. Percy obferves, that this interjection is still used in the North. It feems to have the fame meaning as apage, Lat. STEEVENS. Luc. A round hofe, madam, now's not worth pin, Unless you have a cod-piece to stick pins on. ful. Lucetta, as thou lov'it me, let me have What thou think'ft meet, and is most mannerly : But tell me, wench, how will the world repute me, For undertaking fo unftaid a journey? I fear me, it will make me fcandaliz'd. Luc. If you think fo, then stay at home, and go not. Luc. Then never dream on infamy, but go. Luc. All these are fervants to deceitful men. ful. Now, as thou lov'ft me, do him not that wrong, To bear a hard opinion of his truth : Only deferve my love, by loving him; And prefently go with me to my chamber, To take a note of what I stand in need of, To furnish me upon my longing journey 9. All that is mine I leave at thy difpofe, 8 of infinite] Old edit. JOHNSON. my longing journey.] Dr. Gray obferves, that longing is a participle active, with a paffive fignification; for longed, wished or defired. STEEVENS. My My goods, my lands, my reputation; Only, in lieu thereof, difpatch me hence. I am impatient of my tarriance. ACT III. [Exeunt. SCENE I. The duke's palace in Milan. Enter Duke, Thurio, and Protheus. Duke. Sir Thurio, give us leave, I pray, awhile; We have fome fecrets to confer about. [Exit Thur. But, when I call to mind your gracious favours My duty pricks me on to utter that Which elfe no worldly good fhould draw from me. Duke. Protheus, I thank thee for thine honeft care; M 4 Haply, Haply, when they have judg'd me faft afleep; Pro. Know, noble lord, they have devis'd a mean I Pro. Adieu, my lord; fir Valentine is coming. Enter Valentine. [Exit Pro. Duke. Sir Valentine, whither away fo faft? -jealous aim] Aim is guefs, in this instance, as in the fol lowing. So in Romeo and Juliet: 2 "I aim'd fo near when I fuppos'd you lov'd." STEEVENS, be not aimed at ;] Be not gueffed. JOHNSON. 3 of this pretence.] Of this claim made to your daughter. - JOHNSON. Pretence is defign. So in K. Lear: " to feel my affection to your honour, and no other pretence of danger.' Again, in the fame play: " pretence and purpose of unkindnels." STEEVENS. Val. Please it your grace, there is a messenger Duke. Be they of much import? Val. The tenor of them doth but fignify My health, and happy being at your court. Duke. Nay, then no matter; stay with me a while; I am to break with thee of fome affairs, That touch me near, wherein thou must be fecret. Duke. No, truft me; fhe is peevifh, fullen, froward, And turn her out to who will take her in : 4 Duke. There is a lady, fir, in Milan, here, 4 -fir, in Milan, here,] It ought to be thus, instead ofin Verona, bere-for the fcene apparently is in Milan, as is clear from feveral paffages in the first act, and in the beginning of the firft fcene of the fourth act. A like mistake has crept into the eighth scene of act II. where Speed bids his fellow-fervant Launce welcome to Padua. POPE. Now, |