Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
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النتائج 1-5 من 5
الصفحة 311
Granting that the latter part of the panegyrick on Elizabeth implies that she was
dead when it was compofed , it would not prove that this play was written in the
time of king James ; for these latter lines in praise of the queen , as well as the ...
Granting that the latter part of the panegyrick on Elizabeth implies that she was
dead when it was compofed , it would not prove that this play was written in the
time of king James ; for these latter lines in praise of the queen , as well as the ...
الصفحة
Note line 5. for 1689 , read , 3589 . ... In the first line of Steevens's note on
Macbeth , dele the full point , and fubftitute a comma . Plays . 4. At the end of Note
1. for act 111. read ad IV . 23. Note 5. and five lines from the bortom , for loj , '
read lat .
Note line 5. for 1689 , read , 3589 . ... In the first line of Steevens's note on
Macbeth , dele the full point , and fubftitute a comma . Plays . 4. At the end of Note
1. for act 111. read ad IV . 23. Note 5. and five lines from the bortom , for loj , '
read lat .
الصفحة
In Note 6. line 3. dele to , after with . 446. Note 4. instead of " Percy's dea , " and , “
thine ey , " read , Percy's dead , " and , “ thine 516. End of Note 3. instead of ,
which plain language , read , which in plain language . VOL . VI . 61. At the end of
...
In Note 6. line 3. dele to , after with . 446. Note 4. instead of " Percy's dea , " and , “
thine ey , " read , Percy's dead , " and , “ thine 516. End of Note 3. instead of ,
which plain language , read , which in plain language . VOL . VI . 61. At the end of
...
الصفحة 97
Mistress line , is not this my jerkin ? Now is the jerkin ' under the line : Now , jerkin
, you are like to lose your hair , and prove a bald jerkin . Trin . Do , do ; We steal
by line and level , and's like your grace : Sté . I thank thee for that jest ; here's à ...
Mistress line , is not this my jerkin ? Now is the jerkin ' under the line : Now , jerkin
, you are like to lose your hair , and prove a bald jerkin . Trin . Do , do ; We steal
by line and level , and's like your grace : Sté . I thank thee for that jest ; here's à ...
الصفحة 359
But , I fancy , in acquiescence to the vulgar doctrine , the address in this line is to
a part of the troop , as mortals by birth ... A few lines from Spenser will sufkciently
illustrate this pafluge : • The man whom heavens have ordaind to bee 66 The ...
But , I fancy , in acquiescence to the vulgar doctrine , the address in this line is to
a part of the troop , as mortals by birth ... A few lines from Spenser will sufkciently
illustrate this pafluge : • The man whom heavens have ordaind to bee 66 The ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
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عبارات ومصطلحات مألوفة
againſt ancient appears believe beſt better called character comedy common copies daughter death Duke edition editor Engliſh Enter eyes father firſt fome Ford give given hand hath hear heart Henry himſelf honour humour John JOHNSON kind King language laſt learning leave lines live look lord maſter meaning mentioned mind miſtreſs moſt muſt nature never night obſerved original Page paſſage performance perhaps piece play poet pray preſent printed probably publiſhed queen reaſon ſaid ſame ſay ſcene ſee ſeems ſenſe Shakeſpeare ſhall ſhe ſhould ſome ſpeak Speed ſtage ſtand Stationers STEEVENS ſuch ſuppoſe tell Theatre thee theſe thing thoſe thou thought tion tragedy tranſlated true uſe WARBURTON whoſe wife writer written
مقاطع مشهورة
الصفحة 292 - The shepherd swains shall dance and sing For thy delight each May morning: If these delights thy mind may move, Then live with me and be my love.
الصفحة 98 - To hear the solemn curfew ; by whose aid (Weak masters though ye be) I have be-dimm'd The noontide sun, call'd forth the mutinous winds, And 'twixt the green sea and the azur'd vault Set roaring war : to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt...
الصفحة 63 - Hence, bashful cunning ! And prompt me, plain and holy innocence ! I am your wife, if you will marry me ; If not, I'll die your maid : to be your fellow You may deny me ; but I'll be your servant, Whether you will or no.
الصفحة 19 - A quibble is the golden apple for which he will always turn aside from his career or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight that he was content to purchase it by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world and was content to lose it.
الصفحة 53 - Perhaps the lightness of the matter may conduce to the vehemence of the agency; when the truth to be investigated is so near to inexistence, as to escape attention, its bulk is to be enlarged by rage and exclamation: That to which all would be indifferent in its original state, may attract notice when the fate of a name is appended to it.
الصفحة 215 - Above the ill fortune of them, or the need. I therefore will begin: Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
الصفحة 27 - You taught me language; and my profit on't Is, I know how to curse : The red plague rid you, For learning me your language ! Pro.
الصفحة 11 - Tragedy was not in those times a poem of more general dignity or elevation than comedy; it required only a calamitous conclusion, with which the common criticism of that age was satisfied, whatever lighter pleasure it afforded in its progress.
الصفحة 229 - This pencil take (she said) whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy ! This can unlock the gates of Joy ; Of Horror that, and thrilling Fears, Or ope the sacred source of sympathetic Tears.
الصفحة 4 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature, the poet that holds up to his readers a faithful mirror of manners and of life.