Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 11
... desire to make such a distinction , and the ability to do so with experimental open- ness , imaginative pliability , and yet sincerity of purpose . In one sense , neoclassicism may be said to have argued itself out of existence . As it ...
... desire to make such a distinction , and the ability to do so with experimental open- ness , imaginative pliability , and yet sincerity of purpose . In one sense , neoclassicism may be said to have argued itself out of existence . As it ...
الصفحة 92
... desire who- soever hath in him , hath already passed half the hardness of the way , and therefore is beholding to the philosopher but for the other half . Nay truly , learned men have learnedly thought that where once reason hath so ...
... desire who- soever hath in him , hath already passed half the hardness of the way , and therefore is beholding to the philosopher but for the other half . Nay truly , learned men have learnedly thought that where once reason hath so ...
الصفحة 486
... desire in men that good should for ever be present to them . This desire for good , Diotima assured Socrates , is our fundamental desire , of which fundamental desire every impulse in us is only some one particular form . And therefore ...
... desire in men that good should for ever be present to them . This desire for good , Diotima assured Socrates , is our fundamental desire , of which fundamental desire every impulse in us is only some one particular form . And therefore ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing