Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 11
... means , and to evaluate means as they lead to fundamental ends . Indeed , nothing is more genuinely classical than the continual desire to make such a distinction , and the ability to do so with experimental open- ness , imaginative ...
... means , and to evaluate means as they lead to fundamental ends . Indeed , nothing is more genuinely classical than the continual desire to make such a distinction , and the ability to do so with experimental open- ness , imaginative ...
الصفحة 72
... means of the variations of sounds , by their pulsation against one another , and by their mingling in concert . 3. And yet these are mere semblances and spurious copies of persuasion , not ( as I have said ) genuine ac- tivities of ...
... means of the variations of sounds , by their pulsation against one another , and by their mingling in concert . 3. And yet these are mere semblances and spurious copies of persuasion , not ( as I have said ) genuine ac- tivities of ...
الصفحة 484
... meaning of the terms we are using . I talk of knowing the best which has been thought and uttered in the world ; Professor Huxley says this means know- ing literature . Literature is a large word ; it may mean everything written with ...
... meaning of the terms we are using . I talk of knowing the best which has been thought and uttered in the world ; Professor Huxley says this means know- ing literature . Literature is a large word ; it may mean everything written with ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing