Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 85
... Nature hath taken therein . So do the geometrician and arithmetician in their diverse sorts of quantities . So doth the musician in times tell you which by nature agree , which not . The natural philosopher thereon hath his name , and ...
... Nature hath taken therein . So do the geometrician and arithmetician in their diverse sorts of quantities . So doth the musician in times tell you which by nature agree , which not . The natural philosopher thereon hath his name , and ...
الصفحة 409
... nature , or something we take for nature ; secondly , this object must be in the full sense of the word simple , that is , presenting the entire contrast of nature with art , all the ad- vantage remaining on the side of nature ...
... nature , or something we take for nature ; secondly , this object must be in the full sense of the word simple , that is , presenting the entire contrast of nature with art , all the ad- vantage remaining on the side of nature ...
الصفحة 411
... nature , or he seeks nature . In the former case , he is a simple poet , in the second case , a senti- mental poet . The poetic spirit is immortal , nor can it dis- appear from humanity ; it can only disappear with humanity itself , or ...
... nature , or he seeks nature . In the former case , he is a simple poet , in the second case , a senti- mental poet . The poetic spirit is immortal , nor can it dis- appear from humanity ; it can only disappear with humanity itself , or ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing