Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 80
الصفحة 352
... poem . I hold that a long poem does not exist . I maintain that the phrase , " a long poem , " is simply a flat contradiction in terms . I need scarcely observe that a poem deserves The Poetic Principle . First published in 1848 . its ...
... poem . I hold that a long poem does not exist . I maintain that the phrase , " a long poem , " is simply a flat contradiction in terms . I need scarcely observe that a poem deserves The Poetic Principle . First published in 1848 . its ...
الصفحة 354
... poem which is a poem and nothing more this poem written solely for the poem's sake . With as deep a reverence for the True as ever inspired the bosom of man , I would , neverthe- less , limit in some measure its modes of inculca- tion ...
... poem which is a poem and nothing more this poem written solely for the poem's sake . With as deep a reverence for the True as ever inspired the bosom of man , I would , neverthe- less , limit in some measure its modes of inculca- tion ...
الصفحة 575
... poem with some personal feeling still present in the reader's lively recollection does give a standard , a test for reality . The dangers are that the recollected feelings may overwhelm and distort the poem and that the reader may ...
... poem with some personal feeling still present in the reader's lively recollection does give a standard , a test for reality . The dangers are that the recollected feelings may overwhelm and distort the poem and that the reader may ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing