Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 20
... poet , the other physicist rather than poet.1 9. On the same principle , even if a writer in his poetic imitation were to combine all metres , as Chaere- mon did in his Centaur , which is a medley com- posed of metres of all kinds , we ...
... poet , the other physicist rather than poet.1 9. On the same principle , even if a writer in his poetic imitation were to combine all metres , as Chaere- mon did in his Centaur , which is a medley com- posed of metres of all kinds , we ...
الصفحة 115
... Poet , wee require Exercise of those parts , and frequent . If his wit will not arrive soddainly at the dignitie of the Ancients , let him not yet fall out with it , quarrell , or be over hastily Angry : offer , to turne it away from ...
... Poet , wee require Exercise of those parts , and frequent . If his wit will not arrive soddainly at the dignitie of the Ancients , let him not yet fall out with it , quarrell , or be over hastily Angry : offer , to turne it away from ...
الصفحة 342
... Poet's art as any upon which it can be employed , if the time should ever come when these things shall be familiar to us , and the relations under which they are contemplated by the followers of these respective sciences shall be ...
... Poet's art as any upon which it can be employed , if the time should ever come when these things shall be familiar to us , and the relations under which they are contemplated by the followers of these respective sciences shall be ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing