Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 270
... romantic di- chotomy of " imaginative " and " rational " art as a dichotomy between " naturalness " and " arti- ficiality . " Here , too , the values in question are still current at the present day . Various themes in literature and in ...
... romantic di- chotomy of " imaginative " and " rational " art as a dichotomy between " naturalness " and " arti- ficiality . " Here , too , the values in question are still current at the present day . Various themes in literature and in ...
الصفحة 274
... romantic interest in psychology led to a shift in the qualities desired in art . Per- haps the most pervasive result is the romantic and generally modern prizing of suggestiveness . If one is approaching art in a psychological way , and ...
... romantic interest in psychology led to a shift in the qualities desired in art . Per- haps the most pervasive result is the romantic and generally modern prizing of suggestiveness . If one is approaching art in a psychological way , and ...
الصفحة 566
... romantic ; the one which regards him as a very finite and fixed creature , I call the classical . One may note here ... romantic and classical in verse . I can only say that it means the result of these two attitudes towards the cosmos ...
... romantic ; the one which regards him as a very finite and fixed creature , I call the classical . One may note here ... romantic and classical in verse . I can only say that it means the result of these two attitudes towards the cosmos ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing