Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 349
... truth of Imagination— What the imagination seizes as Beauty must be truth ... The Imagina- tion may be compared to Adam's dream - he awoke and found it truth . I am the more zealous in this affair , because I have never yet been able to ...
... truth of Imagination— What the imagination seizes as Beauty must be truth ... The Imagina- tion may be compared to Adam's dream - he awoke and found it truth . I am the more zealous in this affair , because I have never yet been able to ...
الصفحة 352
... truth , the transmitting of truth into a special medium and under special circumstances . And if Coleridge said that " the immediate " end of Poetry is pleasure rather than truth , he made it very plain that the ultimate end of poetry ...
... truth , the transmitting of truth into a special medium and under special circumstances . And if Coleridge said that " the immediate " end of Poetry is pleasure rather than truth , he made it very plain that the ultimate end of poetry ...
الصفحة 461
... truth and the highest culture are out of the question . So immersed are they in practical life , so accustomed to take all their notions from this life and its processes , that they are apt to think that truth and culture themselves can ...
... truth and the highest culture are out of the question . So immersed are they in practical life , so accustomed to take all their notions from this life and its processes , that they are apt to think that truth and culture themselves can ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing