Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 90
... universal consideration , and the history with Kathekaston , the particular : " now , " saith he , " the universal weighs what is fit to be said or done , either in likelihood or necessity ( which the Poesy considereth in his imposed ...
... universal consideration , and the history with Kathekaston , the particular : " now , " saith he , " the universal weighs what is fit to be said or done , either in likelihood or necessity ( which the Poesy considereth in his imposed ...
الصفحة 362
... universal . The distinction , as Coleridge says , is similar in a general way to that of the Platonic tradition , particularly common in the Renaissance , between " dis- cursive " reason , which generalizes from sense - impressions ...
... universal . The distinction , as Coleridge says , is similar in a general way to that of the Platonic tradition , particularly common in the Renaissance , between " dis- cursive " reason , which generalizes from sense - impressions ...
الصفحة 518
... universal art , transmitting the very simplest feelings common to all men . The art of our time should be appraised dif- ferently from former art chiefly in this , that the art of our time , i.e. Christian art ( basing itself on a ...
... universal art , transmitting the very simplest feelings common to all men . The art of our time should be appraised dif- ferently from former art chiefly in this , that the art of our time , i.e. Christian art ( basing itself on a ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing