Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 من الصفحات |
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الصفحة 154
... verses , or a poem ; blank verse being as much below them as rhyme is improper for the Drama . And if it be objected that neither are blank verses made extempore , yet , as nearest nature , they are still to be pre- ferred . But there ...
... verses , or a poem ; blank verse being as much below them as rhyme is improper for the Drama . And if it be objected that neither are blank verses made extempore , yet , as nearest nature , they are still to be pre- ferred . But there ...
الصفحة 155
... verse may be natural in plays , yet I should always be ready to confess , that those which I have written in this kind come short of that perfection which is required . Yet since you are pleased I should undertake this province , I will ...
... verse may be natural in plays , yet I should always be ready to confess , that those which I have written in this kind come short of that perfection which is required . Yet since you are pleased I should undertake this province , I will ...
الصفحة 595
... verse turning to prose in their hands , like the neck of the flamingo in Lewis Carroll with which Alice tried to play croquet , Mr. Anderson , returning to blank verse , finds himself in the more awkward predicament of the girl in the ...
... verse turning to prose in their hands , like the neck of the flamingo in Lewis Carroll with which Alice tried to play croquet , Mr. Anderson , returning to blank verse , finds himself in the more awkward predicament of the girl in the ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing