Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 68
In addition to the five titles just considered , some fifteen others among the novel's sixty - four chapter - titles seem to carry more than one significant meaning . Such ambiguity in a chapter - title induces us to consider the ...
In addition to the five titles just considered , some fifteen others among the novel's sixty - four chapter - titles seem to carry more than one significant meaning . Such ambiguity in a chapter - title induces us to consider the ...
الصفحة 72
In five of the remaining chapters , three of these offering important climaxes , Dickens continues to use equivocal titles . In Chapter 52 , “ ' I assist at an Explosion , ” the word " explosion ” refers mainly to Micawber's outburst ...
In five of the remaining chapters , three of these offering important climaxes , Dickens continues to use equivocal titles . In Chapter 52 , “ ' I assist at an Explosion , ” the word " explosion ” refers mainly to Micawber's outburst ...
الصفحة 75
1 This pattern in the chapter - titles — the “ look again ” or “ think again " effect — is far more noticeable in David Copperfield than in any of Dickens's other novels , and the device certainly emphasizes the theme of varying ...
1 This pattern in the chapter - titles — the “ look again ” or “ think again " effect — is far more noticeable in David Copperfield than in any of Dickens's other novels , and the device certainly emphasizes the theme of varying ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young