Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 99
Of course , the two good angels — Rachael and Sissy - eventually join forces to find Stephen and to seek assistance for him . After the mortally injured Blackpool is brought up from the mine - shaft , Sissy induces Sleary's troupe to ...
Of course , the two good angels — Rachael and Sissy - eventually join forces to find Stephen and to seek assistance for him . After the mortally injured Blackpool is brought up from the mine - shaft , Sissy induces Sleary's troupe to ...
الصفحة 100
This figurative “ dark pit , " towards which Louisa gradually descends , is analogous to the “ black ragged chasm " ( 3 : 6 : 196 ) , the abandoned mine - shaft , into which Stephen suddenly drops . Even though Louisa avoids a " fall ...
This figurative “ dark pit , " towards which Louisa gradually descends , is analogous to the “ black ragged chasm " ( 3 : 6 : 196 ) , the abandoned mine - shaft , into which Stephen suddenly drops . Even though Louisa avoids a " fall ...
الصفحة 101
These two sets of interviews — one set between Stephen and Bounderby , the other between Louisa and her father — are also connected by a few other features . Stephen's initial meeting with Bounderby takes place during a rainstorm ( 1 ...
These two sets of interviews — one set between Stephen and Bounderby , the other between Louisa and her father — are also connected by a few other features . Stephen's initial meeting with Bounderby takes place during a rainstorm ( 1 ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young