Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 54
In Hamlet Shakespeare seeks to induce the audience to accept the Ghost by having Horatio first express complete skepticism and then be led immediately to believe by his own sensory experience . Similarly , Dickens has Scrooge himself ...
In Hamlet Shakespeare seeks to induce the audience to accept the Ghost by having Horatio first express complete skepticism and then be led immediately to believe by his own sensory experience . Similarly , Dickens has Scrooge himself ...
الصفحة 113
Indeed , his previously declared intention of leaving all decisions to Biddy , should she accept him ( 57 : 350 ) , seems a plan to resign from adult responsibility . Most important , Pip has not overcome his obsession with Estella .
Indeed , his previously declared intention of leaving all decisions to Biddy , should she accept him ( 57 : 350 ) , seems a plan to resign from adult responsibility . Most important , Pip has not overcome his obsession with Estella .
الصفحة 121
Sucksmith , in defending this revised version , maintains , “ If we accept the account of Estella's regeneration in the rejected ending , then we should also accept the reconciliation between Pip and Estella in the new ending , since ...
Sucksmith , in defending this revised version , maintains , “ If we accept the account of Estella's regeneration in the rejected ending , then we should also accept the reconciliation between Pip and Estella in the new ending , since ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young
معلومات المراجع
| العنوان | Dickens's Fiction: Tapestries of Conscience العدد 30 من AMS studies in the nineteenth century |
| المؤلف | Stanley Friedman |
| الإصدار | مزود بصور توضيحية |
| الناشر | AMS Press, 2003 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 6 آذار (مارس) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0404644600, 9780404644604 |
| عدد الصفحات | 195 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |