Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 1
Under Dickens's control , characters are introduced into the story , then disappear , and later reenter , in a pattern that is repeated and places them in various juxtapositions with other persons . In similar ways plot strands ...
Under Dickens's control , characters are introduced into the story , then disappear , and later reenter , in a pattern that is repeated and places them in various juxtapositions with other persons . In similar ways plot strands ...
الصفحة 10
For while the novels remain discrete , with no sequels and no characters actually reappearing as some do in the fiction ... Balzac , Thackeray , and Trollope , character - types and situations recur , of course , with great frequency .
For while the novels remain discrete , with no sequels and no characters actually reappearing as some do in the fiction ... Balzac , Thackeray , and Trollope , character - types and situations recur , of course , with great frequency .
الصفحة 12
In the last half - century many scholars and critics have carefully examined Dickens's impressive ability to synthesize diverse materials through the use of parallels among characters , recurrent situations , and iterative imagery .
In the last half - century many scholars and critics have carefully examined Dickens's impressive ability to synthesize diverse materials through the use of parallels among characters , recurrent situations , and iterative imagery .
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young