Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 5
Both varieties of paradox demand that we give a double look , and both also invite us to change from one perspective to another . ... person who gives Oliver kinder treatment than he has ever previously received .
Both varieties of paradox demand that we give a double look , and both also invite us to change from one perspective to another . ... person who gives Oliver kinder treatment than he has ever previously received .
الصفحة 84
In each of the novels a climactic murder gives rise to an exciting a chase : Sikes becomes a fugitive after his deed , and Lady Dedlock flees because she fears being under suspicion . Each crime is committed with a pistol , although in ...
In each of the novels a climactic murder gives rise to an exciting a chase : Sikes becomes a fugitive after his deed , and Lady Dedlock flees because she fears being under suspicion . Each crime is committed with a pistol , although in ...
الصفحة 131
For Riah , these functions are divided between two surrogate children : Lizzie is the " daughter " to whom he gives major assistance , while Jenny misjudges him . Interestingly , as Adrian Poole notices ( OMF xviii ) , the working notes ...
For Riah , these functions are divided between two surrogate children : Lizzie is the " daughter " to whom he gives major assistance , while Jenny misjudges him . Interestingly , as Adrian Poole notices ( OMF xviii ) , the working notes ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young