Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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Dickens's interest in multiple perspectives may be in part attributable to his fascination with the changing viewpoints of Swift's Gulliver and with the satire of England provided by Goldsmith in his The Citizen of the World ...
Dickens's interest in multiple perspectives may be in part attributable to his fascination with the changing viewpoints of Swift's Gulliver and with the satire of England provided by Goldsmith in his The Citizen of the World ...
الصفحة 25
Early and late in The Winter's Tale we find interest in close facial resemblance between parent and child : Leontes seeks to reassure himself of his young son Mamillius's legitimacy by referring again and again to the boy's likeness to ...
Early and late in The Winter's Tale we find interest in close facial resemblance between parent and child : Leontes seeks to reassure himself of his young son Mamillius's legitimacy by referring again and again to the boy's likeness to ...
الصفحة 94
Senelick oberves that Dickens's continuing interest in the play was stimulated by the performances of Macready ( 99-100 ) . 8. Perhaps a further indication of Dickens's interest in Othello at the time of writing Bleak House is found in ...
Senelick oberves that Dickens's continuing interest in the play was stimulated by the performances of Macready ( 99-100 ) . 8. Perhaps a further indication of Dickens's interest in Othello at the time of writing Bleak House is found in ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
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عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young