Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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Although we at times cannot determine the extent to which the repetition of details within one narrative or between two novels is deliberate or unconscious , the recurrence seems to fulfill a psychological need for Dickens , ...
Although we at times cannot determine the extent to which the repetition of details within one narrative or between two novels is deliberate or unconscious , the recurrence seems to fulfill a psychological need for Dickens , ...
الصفحة 26
Indeed , the obfuscatory manner of narration creates a sense that arcane , deeply hidden secrets are being ... In Nicholas Nickleby the causal events behind the plight of Smike and also the narrative technique employed seem very similar ...
Indeed , the obfuscatory manner of narration creates a sense that arcane , deeply hidden secrets are being ... In Nicholas Nickleby the causal events behind the plight of Smike and also the narrative technique employed seem very similar ...
الصفحة 95
... is used in Hard Times in ways that are both obvious and subtle and that become integral to the novel's narrative structure and thematic development In Hard Times the initial eight chapters , originally published as the first four of ...
... is used in Hard Times in ways that are both obvious and subtle and that become integral to the novel's narrative structure and thematic development In Hard Times the initial eight chapters , originally published as the first four of ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
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accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young