Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 57
But Dickens also has this same narrator undermine credulity about ghosts by remarking that the Ghost of Christmas Past was standing as close to Scrooge " as I am now to you , and I am standing in the spirit at your elbow " ( 2 : 68 ) ...
But Dickens also has this same narrator undermine credulity about ghosts by remarking that the Ghost of Christmas Past was standing as close to Scrooge " as I am now to you , and I am standing in the spirit at your elbow " ( 2 : 68 ) ...
الصفحة 64
Although the narrator does anticipate the beneficent role Agnes to play subsequently in his life— “ The influence for all good , which she came to exercise over me at a later time , begins already to descend upon my breast " ( 16 : 201 ) ...
Although the narrator does anticipate the beneficent role Agnes to play subsequently in his life— “ The influence for all good , which she came to exercise over me at a later time , begins already to descend upon my breast " ( 16 : 201 ) ...
الصفحة 86
As we noticed in Chapter 1 of this study , the narrator in Oliver Twist at times uses an ironic tone and at other ... Indeed , both narrators in this later novel include remarks introducing the interrelated themes of perspective and ...
As we noticed in Chapter 1 of this study , the narrator in Oliver Twist at times uses an ironic tone and at other ... Indeed , both narrators in this later novel include remarks introducing the interrelated themes of perspective and ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young