Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 35
a projection of the son's own guilty wish to disturb the love of the parents ” ( 103 ) . Certainly , the father's forbidding a son to espouse a woman of his own choice and / or ordering an undesired marriage may be regarded as a version ...
a projection of the son's own guilty wish to disturb the love of the parents ” ( 103 ) . Certainly , the father's forbidding a son to espouse a woman of his own choice and / or ordering an undesired marriage may be regarded as a version ...
الصفحة 90
In these two stories each protagonist may be seen as having , in effect , two sets of parents : a pair of not - so - good biological parents ( Agnes Fleming and Edwin Leeford , Honoria and Hawdon ) who are guilty of sexual transgression ...
In these two stories each protagonist may be seen as having , in effect , two sets of parents : a pair of not - so - good biological parents ( Agnes Fleming and Edwin Leeford , Honoria and Hawdon ) who are guilty of sexual transgression ...
الصفحة 92
Both Oliver and Esther must confront their illegitimacy as each seeks the identity of his or her parents . Nevertheless , the two protagonists , starting out far lower than most persons , discover that , despite the stigma of ...
Both Oliver and Esther must confront their illegitimacy as each seeks the identity of his or her parents . Nevertheless , the two protagonists , starting out far lower than most persons , discover that , despite the stigma of ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young