Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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الصفحة 8
The theme of varying perspectives is developed with exceptional thoroughness and depth in such novels as David Copperfield , Bleak House , and Great Expectations , the first and the third of these being presented by a narrator who ...
The theme of varying perspectives is developed with exceptional thoroughness and depth in such novels as David Copperfield , Bleak House , and Great Expectations , the first and the third of these being presented by a narrator who ...
الصفحة 65
a influence our perspective . ... by characters when they find that modifications in circumstances have altered their perspectives towards themselves or others : Mrs. Gummidge responds to the loss of Emily by abandoning self - pity and ...
a influence our perspective . ... by characters when they find that modifications in circumstances have altered their perspectives towards themselves or others : Mrs. Gummidge responds to the loss of Emily by abandoning self - pity and ...
الصفحة 86
In each book , moreover , Dickens is strongly concerned with dual or multiple perspectives . ... Indeed , both narrators in this later novel include remarks introducing the interrelated themes of perspective and perception .
In each book , moreover , Dickens is strongly concerned with dual or multiple perspectives . ... Indeed , both narrators in this later novel include remarks introducing the interrelated themes of perspective and perception .
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young