Dickens's Fiction: Tapestries of ConscienceBritish writer Dickens (1812-70) extensively used such reiterative techniques as repetition, paradox, and multiple perspectives to increase the complexity and appeal of his fiction, says Friedman (English, City U. of New York-Queens College). He looks in detail at examples in eight works written at |
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Chapter 1 Weaving Stories In the 1857 preface to Little Dorrit and in a postscript to Our Mutual Friend , Dickens describes himself as weaving a story's " threads ” into a completed “ pattern , " a metaphor for fiction - writing that ...
Chapter 1 Weaving Stories In the 1857 preface to Little Dorrit and in a postscript to Our Mutual Friend , Dickens describes himself as weaving a story's " threads ” into a completed “ pattern , " a metaphor for fiction - writing that ...
الصفحة 51
The story's events begin with the best - known formulaic opening for fairy tales , " once upon a time " ( 1 : 47 ) . Having previously been told that Scrooge " carried his own low temperature always about with him " ( 1:46 ) , we are ...
The story's events begin with the best - known formulaic opening for fairy tales , " once upon a time " ( 1 : 47 ) . Having previously been told that Scrooge " carried his own low temperature always about with him " ( 1:46 ) , we are ...
الصفحة 52
detail in the text and would rob the story of its power and point . The unredeemed Scrooge allows us release of any suppressed antisocial feelings we may have , but then his subsequent reformation comfortingly repudiates such sentiments ...
detail in the text and would rob the story of its power and point . The unredeemed Scrooge allows us release of any suppressed antisocial feelings we may have , but then his subsequent reformation comfortingly repudiates such sentiments ...
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المحتوى
Primal Secrets | 19 |
Paradox Puzzle Exemplum | 59 |
Echoes and Reflections in Bleak House | 77 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
accept Agnes appears asks assistance become believe Bella Bleak House Boffin Brownlow calls cause Chapter characters child Christmas considered course daughter David death describes desire despite Dickens Dickens's earlier early edition Estella Esther Eugene expression Fagin father feeling fiction figure Fledgeby Friend Ghost given gives Harmon important includes installment interest involved Jenny John kind Lady later leads letter linked lives Lizzie London looks Louisa marriage marry meeting mentioned moral Moreover mother narrative narrator never Nicholas Nickleby notes noticed novel observes offers Oliver Twist Oliver's parents perhaps person perspectives play possible present previously protagonist provides readers refers regarded remain remarks resemblance response reveals Riah Rose Scrooge seeks seems seen sense significant sister Smike Spirit Stephen story subsequently suggests surrogate tale tells tion wife woman young
معلومات المراجع
| العنوان | Dickens's Fiction: Tapestries of Conscience العدد 30 من AMS studies in the nineteenth century |
| المؤلف | Stanley Friedman |
| الإصدار | مزود بصور توضيحية |
| الناشر | AMS Press, 2003 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 6 آذار (مارس) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0404644600, 9780404644604 |
| عدد الصفحات | 195 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |