The Mysteries of UdolphoOUP Oxford, 18/06/1998 - 736 من الصفحات `Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of its characters' psychological states, it often seems strangely modern: `permanently avant-garde' in Terry Castle's words, and a profound and fascinating challenge to contemporary readers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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... silence on you . Our ghosts are more civilized than to condemn a lady to a purgatory severer even , than their own , be it what it may . ' ( p . 473 ) One might object that Henri and Blanche remain undeveloped as characters and ...
... silence on you . Our ghosts are more civilized than to condemn a lady to a purgatory severer even , than their own , be it what it may . ' ( p . 473 ) One might object that Henri and Blanche remain undeveloped as characters and ...
الصفحة
... silence . ( p . 148 ) She can create moments of considerable drama , particularly between female characters . The scenes between Emily and Madame Montoni are brilliantly handled ; likewise the episode near the end of the novel in which ...
... silence . ( p . 148 ) She can create moments of considerable drama , particularly between female characters . The scenes between Emily and Madame Montoni are brilliantly handled ; likewise the episode near the end of the novel in which ...
الصفحة
... silence . A faint erroneous ray Glanc'd from th ' imperfect surfaces of things , Flung half an image on the ... silent till he reached the chateau , where his wife had retired to her chamber . The languor and dejection , that had lately ...
... silence . A faint erroneous ray Glanc'd from th ' imperfect surfaces of things , Flung half an image on the ... silent till he reached the chateau , where his wife had retired to her chamber . The languor and dejection , that had lately ...
الصفحة
... silence, and then turned the discourse upon another subject. At parting she pressed him and her niece to make her an early visit. 'Change of place will amuse you,' said she, 'and it is wrong to give way to grief.' St. Aubert ...
... silence, and then turned the discourse upon another subject. At parting she pressed him and her niece to make her an early visit. 'Change of place will amuse you,' said she, 'and it is wrong to give way to grief.' St. Aubert ...
الصفحة
... silence for some leagues, from which melancholy reverie Emily first awoke, and her young fancy, struck with the grandeur of the objects around, gradually yielded to delightful impressions. The road now descended into glens, confined by ...
... silence for some leagues, from which melancholy reverie Emily first awoke, and her young fancy, struck with the grandeur of the objects around, gradually yielded to delightful impressions. The road now descended into glens, confined by ...
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abbess alarmed Ann Radcliffe Annette apartment Apennines appeared Aubert aunt Barnardine believe Blanche casement castle Cavigni chamber chateau circumstances condottieri conversation cottage Count Morano countenance dark dear distance door Dorothée Du Pont Emily Emily's emotion endeavoured enquired exclaimed eyes faint fancy father fear Gascony gloom Gothic Fiction grief happiness hear heard heart hope hour knew La Voisin lady Languedoc late leave length light listened looked Ludovico ma'amselle Madame Cheron Madame Montoni Marchioness melancholy mind mountains Mysteries of Udolpho never night observed opened passed paused perceived person Pont Pyrenées Quesnel Radcliffe rampart recollected remembered replied retired returned Rousillon scarcely scene seemed seen servants shew sigh Signor silent smile solemn soon sound spirits stair-case stranger suffered sunk surprised tears tell tenderness terrace terror Theresa Tholouse thought trembling Udolpho Valancourt Vallée Venice Verezzi Villefort voice watch waves whither wish woods